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Stampa olandese Tracklist Hide Credits A1 Back By Dope Demand (Funky Bass Mix) Bass – Peter Smid Lyrics By – Allstar Fresh, Prhyme* Vocals – Allstar Fresh, Prhyme* 4:26 A2 Feel The Flow Co-producer – B.C. Boy* Lyrics By – Prhyme* Vocals – Prhyme* 5:21 A3 Tonight Is The Night (Backbeat Mix) (Introducing Michèle) Lyrics By – Allstar Fresh, Prhyme* Music By – Peter Smid Performer [Instruments] – B.C. Boy*, Peter smid* Vocals – Prhyme*, Michèle 5:19 A4 Rockin' Down The House Performer [Instruments] – Allstar Fresh 4:41 A5 Havin' A Good Time Lyrics By – Allstar Fresh, Prhyme* Vocals – Allstar Fresh, Prhyme* 4:26 B1 Must Bee The Music Lyrics By – Allstar Fresh, Prhyme* Performer [Instruments] – B.C. Boy* Vocals – Allstar Fresh, Prhyme*, Michèle 5:08 B2 Gettin' Down (Introducing Ragoo) Lyrics By – Ragoo Vocals – Ragoo 4:34 B3 zZignal Of Hope Lyrics By – Ragoo Vocals – Ragoo 3:06 B4 Cold Slammin' (Haunted Mix) Lyrics By – Ced Gee, Kool Keith, Rude Boy / Remmington* Vocals – Allstar Fresh, Ced Gee, Kool Keith, Rude Boy Remmington*, Ultramagnetic MC's 5:38 B5 Gettin' Reckless (Introducing Middletown Posse) Lyrics By – Cold Chill, Juice D Vocals – Allstar Fresh, Cold Chill, Juice D

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2 lo in uscita il 30-9 Lato A 1. Something's got a hold on me Etta James 2. Cry to me Solomon Burke 3. Just for a thrill Aretha Franklin 3. Duke of Earl Gene Chandler 4. The One who really loves you Mary Wells 5. Mashed potato time Dee Dee Sharp 6. I Found you Yvonne Fair & James Brown Band 7. Let me be your boy Wilson Pickett FACE B 1. Green onions Booker T. & The MG's 2. The Loco-Motion Little Eva 3. Fortune teller (Tell me) Lamont Dozier 4. You beat me to the punch Mary Wells 5. Stubborn kind a fellow Marvin Gaye 6. Mashed potatoes U.S.A James Brown & The Famous Flames 7. Any other way William Bell 2 Lato C 1. Camel walk Labrenda Ben & The Beljeans 2. It's aw'rite Rufus Thomas 3. Mind in a whirl Ike & Tina Turner 4. The Peck Joe Tex 5. I'm the one who loves you The Impressions 6. Hitch Hike Marvin Gaye 7. I Said I was sorry Solomon Burke Lato D 1. Save your love for me Nancy Wilson 2. Don't play that song (you lied) Ben E. King 3. Your heart belongs to me The Supremes 4. Bring it on home to me Sam Cooke 5. I'm hanging up my heart for you Solomon Burke 6. Just for a thrill Aretha Franklin 7. These arms of mine Otis Redding

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RISTAMPA A1 Chant A2 Higher Ground A3 Sweet Season A4 Sanctuary B1 Mighty Mighty B2 The Messenger B3 Adam's Apple B4 To A Wild Rose B5 Western Sunrise

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Released on 400 copies Includes an A3 poster replica of the original lobby card Vinyl, LP, Limited Edition, Reissue, Remastered, Gatefold, 180 grams

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After being blown away by a few tunes – probably just as you will be after listening to this – Samy Ben Redjeb travelled to the infamous capital city of Somalia in November of 2016, making Analog Africa the frst music label to set foot in Mogadishu. On his arrival in Somalia Samy questioned the need for a vehicle full of armed chaperones casually toting Kalashnikovs, deemed necessary to accompany him to the radio station archive every morning, but then began ri?ing through piles of cassettes and listening to reel-to-reel tapes in the dusty archives of Radio Mogadishu, looking for music that ‘swam against the current’. The stars were aligned: an uncovered and unmarked pile of discarded recordings was discovered in a cluttered corner of the building. Colonel Abshir - the senior employee and protector of Radio Mogadishu’s archives - clarifed that the pile consisted mostly of music nobody had manage to identify, or music he described as being ‘mainly instrumental and strange music’. At the words ‘strange music’ Samy was hooked, the return ?ight to Tunisia was cancelled. The pile turned out to be a cornucopia of different sounds: radio jingles, background music and interludes for radio programmes, television shows and theatre plays. There were also a good number of disco tunes, some had been stripped of their lyrics, the interesting parts had been recorded multiple times then cut, taped together and spliced into a long groovy instrumental loop. Over the next three weeks, often in watermelon-, grapefruit-juice and shisha-fuelled night-time sessions behind the fortifed walls of Radio Mogadishu, Samy and the archive staff put together Mogadisco: Dancing Mogadishu - Somalia 1972–1991. Like everywhere in Africa during the 1970s, both men and women sported huge afros, bell-bottom trousers and platform shoes. James Brown, Stevie Wonder, Marvin Gaye and The Temptations’ funk were the talk of the town.In 1977, Iftin Band were invited to perform at the Festac festival in Lagos where they represented Somalia at the Second World Black and African Festival of Arts and Culture. Not only did they come back with an award, but they also returned with Afrobeat. While Fela Kuti’s ‘Shakara’ had taken over the continent and was spreading like wildfre throughout Latin America, it was the track ‘Lady’ that would become the hit in Mogadishu. At the same time Bob Marley was busy kick-starting reggae-mania in Somalia, which became such a phenomenon that even the police and military bands began playing it. Some say that it was adopted so quickly because of the strong similarities with the traditional beat from the western region of Somalia, called Dhaanto. But then suddenly the trousers got tighter as the disco tsunami hit the country. Michael Jackson appeared with a new sound that would revolutionise Somalia’s live music scene. You couldn’t walk the streets of Mogadishu without seeing kids trying to moonwalk. ‘Somalia had several nightclubs and although most use DJs to play records, some hotels like Jubba, Al-Uruba and Al Jazeera showcased live bands such as Iftin and Shareero’ – so ran a quote from a 1981 article about the explosion of Mogadishu’s live music scene. The venues mentioned in that article were the luxury hotels that had been built to cover the growing demands of the tourist industry. The state-of-the-art hotel Al-Uruba, with its oriental ornaments and white plastered walls, was a wonder of modern architecture. All of Mogadishu’s top bands performed there at some point or another, and many of the songs presented in this compilation were created in such venues. Mogadisco was not Analog Africa’s easiest project. Tracking down the musicians – often in exile in the diaspora – to interview them and gather anecdotes of golden-era Mogadishu has been an undertaking that took three years. Tales of Dur-Dur Band’s kidnapping, movie soundtracks recorded in the basements of hotels, musicians getting electrocuted on stage, others jumping from one band to another under dramatic circumstances, and soul singers competing against each other, are all stories included in the massive booklet that accompanies the compilation - adorned with no less then 50 pictures from the `70s and ‚80s. As Colonel Abshir Hashi Ali, chief don at the Radio Mogadishu archive – someone who once wrestled a bomber wielding an unpinned hand-grenade to the ?oor – put it: ‘I have dedicated my life to this place. I’m doing this so it can get to the next generation; so that the culture, the heritage and the songs of Somalia don’t disappear.’

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