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The Sure Fire Soul Ensemble Featuring Kelly Finnigan – Impeach The President
13,50€
Disponibile in 3/4 gg
Esaurito
Additional Information
Spedizione & Restituzione
Additional Information
| Peso | 0.50 kg |
|---|
Restituzioni e Cambi
Diritto di restituzione entro 48 h dal ricevimento della merce.
Spedizione
Tutte le spedizioni da Mint & Soul Records saranno effettuate da Corriere
- da 0 a 2 kg - 8€
- da 2.1 a 4 kg - 9€
- da 4.1 a 6 kg - 12€
Spedizione gratuita con ordini sopra i 90€!
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9,00€
Tracklist Hide Credits
1 Intro
Featuring – DJ Shocca
2 Nati Storti
3 Inferno
4 Ancora Qui
Featuring – Johnny Marsiglia
5 Grattacieli
Featuring – Er Costa
6 666
Featuring – Egreen*, Ensi
7 Interlude
8 Via Da Qui
9 Grattacieli Pt. 2
Featuring – Cali (10)
10 Parli Ancora Di Me
Featuring – Davide Shorty, Mecna
11 Eredità
Featuring – Frank Siciliano
12 Labirinto
Featuring – Killacat, Mistaman
13 Scappa
Featuring – Kiquè Velasquez
14 Qualcosa Non Va
15 Fuga Dal Paradiso
16 Fa Male
Acquista
Tracklist Hide Credits
1 Intro
Featuring – DJ Shocca
2 Nati Storti
3 Inferno
4 Ancora Qui
Featuring – Johnny Marsiglia
5 Grattacieli
Featuring – Er Costa
6 666
Featuring – Egreen*, Ensi
7 Interlude
8 Via Da Qui
9 Grattacieli Pt. 2
Featuring – Cali (10)
10 Parli Ancora Di Me
Featuring – Davide Shorty, Mecna
11 Eredità
Featuring – Frank Siciliano
12 Labirinto
Featuring – Killacat, Mistaman
13 Scappa
Featuring – Kiquè Velasquez
14 Qualcosa Non Va
15 Fuga Dal Paradiso
16 Fa Male
9,00€
Acquista 
9,00€
Tracklist
1 The Slaughter (Skit)
Producer – Eminem
2 Our House
Featuring – Eminem
Producer – Alex Da Kid
Vocals – Skylar Grey
3 Coffin
Co-producer – Eminem
Featuring – Busta Rhymes
Producer – HIT-BOY
4 Throw That
Co-producer – Eminem
Featuring – Eminem
Producer – T-Minus
5 Hammer Dance
Producer – araabMUZIK
6 Get Up
Producer – No I.D.
7 My Life
Co-producer – Eminem
Featuring – Cee-Lo
Producer – Raymond Diaz, Streetrunner
8 We Did It (Skit)
Producer – Eminem
9 Flip A Bird
Co-producer – Eminem
Producer – Black Key Beats, Zukhan
10 Throw It Away
Featuring – Swizz Beatz
Producer – Mr. Porter
11 Rescue Me
Featuring – Skylar Grey
Producer – Alex Da Kid
12 Frat House
Co-producer – Eminem
Producer – T-Minus
13 Goodbye
Co-producer – Eminem
Producer – Boi-1da
14 Park It Sideways
Co-producer – Ashanti Floyd, JMIKE
Producer – Kane Beatz
15 Die
Producer – Mr. Porter
16 Our Way (Outro)
Co-producer – Eminem, The Maven Boys
Producer – Boi-1da
Acquista
Tracklist
1 The Slaughter (Skit)
Producer – Eminem
2 Our House
Featuring – Eminem
Producer – Alex Da Kid
Vocals – Skylar Grey
3 Coffin
Co-producer – Eminem
Featuring – Busta Rhymes
Producer – HIT-BOY
4 Throw That
Co-producer – Eminem
Featuring – Eminem
Producer – T-Minus
5 Hammer Dance
Producer – araabMUZIK
6 Get Up
Producer – No I.D.
7 My Life
Co-producer – Eminem
Featuring – Cee-Lo
Producer – Raymond Diaz, Streetrunner
8 We Did It (Skit)
Producer – Eminem
9 Flip A Bird
Co-producer – Eminem
Producer – Black Key Beats, Zukhan
10 Throw It Away
Featuring – Swizz Beatz
Producer – Mr. Porter
11 Rescue Me
Featuring – Skylar Grey
Producer – Alex Da Kid
12 Frat House
Co-producer – Eminem
Producer – T-Minus
13 Goodbye
Co-producer – Eminem
Producer – Boi-1da
14 Park It Sideways
Co-producer – Ashanti Floyd, JMIKE
Producer – Kane Beatz
15 Die
Producer – Mr. Porter
16 Our Way (Outro)
Co-producer – Eminem, The Maven Boys
Producer – Boi-1da
9,00€
Acquista 
32,90€
TRACKLIST
A1 – Roma Amor – 2:37 (1972)
A2 – Soundmaker Blues – 4:08 (1980)
A3 – Elettrone – 1:31 (1976)
A4 – Fruitori – 2:43 (1972)
B1 – Lavorazione a mare – 6:17 (1974) previously unreleased
B2 – Batticuore – 2:46 (1983)
B3 – Danza magica – 2:10 (1975)
B4 – Attività – 2:26 (1973)
C1 – Sinistro Carillon – 2:46 (1983)
C2 – Pianeta spento – 4:12 (1983) previously unreleased
C3 – Apocalisse atomica – 1:39 (1976)
C4 – Civiltà lontane – 2:34 (1975)
D1 – Dolomiti – 4:20 (1975)
D2 – Eliogabalus – 2:37 (1972)
D3 – Lavoro nero – 2:32 (1975)
D4 – Description – 2:04 (1983) previously unreleased
Twenty years ago, what is probably still the best collection of music by Piero Umiliani, “Musicaelettronica”, was released on Easy Tempo (in our opinion, the finest Italian soundtrack label ever). The album, curated by Rocco Pandiani, focussed on the astonishing creative mastery with which Umiliani played around in his Sound Work Shop studio, where he had all kinds of analogue machines to
experiment with.
Not only did albums like “Musicaelettronica” inspire the very existence of Four Flies Records, but our new Umiliani release, L’Uomo Elettronico, follows on precisely from where “Musicaelettronica” left off. While Pandiani’s selection provided an insight into the playful, lighter side of Umiliani’s electronic music, our release explores its introspective, esoteric side.
Thanks to unwavering support from the Umiliani family, who keeps granting us access to the Maestro’s archives, we have been able to continue a journey we started three years ago with Studio Umiliani, this time unearthing some stunning electronic, cosmic pieces characterized by atmospheric vibes and
carefully arranged sounds and sequences. Once again Umiliani emerges as a tireless, versatile composer whose output went well beyond ‘Mah Nà Mah Nà’, the hugely popular song that made him eternally famous.
The idea behind the album is to view Umiliani’s electronic output as the work of a scientist of some sort – a chemist or master craftsman who created magic in his laboratory or workshop. There is a dreamy, ambient quality at work here: the Maestro builds hypnotic, minimalist sonic landscapes through layers of oscillators and sharp synths, including Moog, Arp, and VCS3. This music could fit equally well in a sci-fi documentary, a post-apocalyptic film, a television report on climate change, or a journey through outer space.
L’Uomo Elettronico features 3 previously unreleased tracks, as well as rarities and hidden gems, all composed between 1972 and 1983 and remastered from the original analogue tapes.
Acquista
TRACKLIST
A1 – Roma Amor – 2:37 (1972)
A2 – Soundmaker Blues – 4:08 (1980)
A3 – Elettrone – 1:31 (1976)
A4 – Fruitori – 2:43 (1972)
B1 – Lavorazione a mare – 6:17 (1974) previously unreleased
B2 – Batticuore – 2:46 (1983)
B3 – Danza magica – 2:10 (1975)
B4 – Attività – 2:26 (1973)
C1 – Sinistro Carillon – 2:46 (1983)
C2 – Pianeta spento – 4:12 (1983) previously unreleased
C3 – Apocalisse atomica – 1:39 (1976)
C4 – Civiltà lontane – 2:34 (1975)
D1 – Dolomiti – 4:20 (1975)
D2 – Eliogabalus – 2:37 (1972)
D3 – Lavoro nero – 2:32 (1975)
D4 – Description – 2:04 (1983) previously unreleased
Twenty years ago, what is probably still the best collection of music by Piero Umiliani, “Musicaelettronica”, was released on Easy Tempo (in our opinion, the finest Italian soundtrack label ever). The album, curated by Rocco Pandiani, focussed on the astonishing creative mastery with which Umiliani played around in his Sound Work Shop studio, where he had all kinds of analogue machines to
experiment with.
Not only did albums like “Musicaelettronica” inspire the very existence of Four Flies Records, but our new Umiliani release, L’Uomo Elettronico, follows on precisely from where “Musicaelettronica” left off. While Pandiani’s selection provided an insight into the playful, lighter side of Umiliani’s electronic music, our release explores its introspective, esoteric side.
Thanks to unwavering support from the Umiliani family, who keeps granting us access to the Maestro’s archives, we have been able to continue a journey we started three years ago with Studio Umiliani, this time unearthing some stunning electronic, cosmic pieces characterized by atmospheric vibes and
carefully arranged sounds and sequences. Once again Umiliani emerges as a tireless, versatile composer whose output went well beyond ‘Mah Nà Mah Nà’, the hugely popular song that made him eternally famous.
The idea behind the album is to view Umiliani’s electronic output as the work of a scientist of some sort – a chemist or master craftsman who created magic in his laboratory or workshop. There is a dreamy, ambient quality at work here: the Maestro builds hypnotic, minimalist sonic landscapes through layers of oscillators and sharp synths, including Moog, Arp, and VCS3. This music could fit equally well in a sci-fi documentary, a post-apocalyptic film, a television report on climate change, or a journey through outer space.
L’Uomo Elettronico features 3 previously unreleased tracks, as well as rarities and hidden gems, all composed between 1972 and 1983 and remastered from the original analogue tapes.
32,90€
Acquista 
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L'album d'esordio del gruppo romano che fonda il jazz col rap. Le recensioni molto positive da diverse testate giornalistiche del settore e l'ottima risposta da parte dei nostri aficionados, ci trasmettono l'ottimo feedback di un gruppo che è destinato a crescere. Consigliatissimo!
Acquista
Disponibile in 4/5 gg
L'album d'esordio del gruppo romano che fonda il jazz col rap. Le recensioni molto positive da diverse testate giornalistiche del settore e l'ottima risposta da parte dei nostri aficionados, ci trasmettono l'ottimo feedback di un gruppo che è destinato a crescere. Consigliatissimo!
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Hindsight captures the magic of what happens when an artist sticks with what they love and shares it with the rest of the world. The 13 tracks epitomize why Breeze has been such an essential voice since he entered the scene. He delivers tack-sharp criticisms of former president Donald Trump (“Devil’s Advocate”) and the music industry (“The Application”), talks his sh*t like only he can do (“Translate It”), and gets deeply personal about friendships (“The Uninvited”) and being a teacher as a person of color (“Taking Notes”). And then there’s a track like “King Oxymoron” that is simply a whirlwind of wordplay.
With this record, Breeze is proving to himself that he can confidently, and ably, work on his own, which was a major sea change for someone who for years collaborated closely with others. “I was at times scared to proceed alone, especially considering the greatness of those I had worked with,” he says. “But it worked out. It’s OK to work with others, and it’s damn sure OK to shut the world out and work with and on yourself.”
Acquista
Hindsight captures the magic of what happens when an artist sticks with what they love and shares it with the rest of the world. The 13 tracks epitomize why Breeze has been such an essential voice since he entered the scene. He delivers tack-sharp criticisms of former president Donald Trump (“Devil’s Advocate”) and the music industry (“The Application”), talks his sh*t like only he can do (“Translate It”), and gets deeply personal about friendships (“The Uninvited”) and being a teacher as a person of color (“Taking Notes”). And then there’s a track like “King Oxymoron” that is simply a whirlwind of wordplay.
With this record, Breeze is proving to himself that he can confidently, and ably, work on his own, which was a major sea change for someone who for years collaborated closely with others. “I was at times scared to proceed alone, especially considering the greatness of those I had worked with,” he says. “But it worked out. It’s OK to work with others, and it’s damn sure OK to shut the world out and work with and on yourself.”
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Acquista 
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Versione inglese
La nascita dell’hip hop è un racconto affascinante che parte dalla Giamaica e arriva nel Bronx grazie alla figura mitica di DJ Kool Herc (che di questo saggio cura la prefazione). Chi ha visto Hip-Hop Evolution, serie-documentario su Netflix, ha negli occhi quei racconti e immagini incredibili dei primi anni ’70. Jeff Chang, nel suo Can’t Stop Won’t Stop, compie un lavoro differente dalla serie appena citata, preferendo concentrarsi sui contesti sociali e motivazioni che hanno portato l’hip hop ad affermarsi come la più grande controcultura black attraverso le tappe fondamentale del movimento. Fondamentale documentazione
Acquista
Versione inglese
La nascita dell’hip hop è un racconto affascinante che parte dalla Giamaica e arriva nel Bronx grazie alla figura mitica di DJ Kool Herc (che di questo saggio cura la prefazione). Chi ha visto Hip-Hop Evolution, serie-documentario su Netflix, ha negli occhi quei racconti e immagini incredibili dei primi anni ’70. Jeff Chang, nel suo Can’t Stop Won’t Stop, compie un lavoro differente dalla serie appena citata, preferendo concentrarsi sui contesti sociali e motivazioni che hanno portato l’hip hop ad affermarsi come la più grande controcultura black attraverso le tappe fondamentale del movimento. Fondamentale documentazione
14,50€
Acquista 
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1000 copie nel mondo!
Swet Shop Boys is a transatlantic hip hop group featuring Heems (ex-Das Racist), Riz MC (Riz Ahmed, who was a key actor in Star Wars Rogue One movie) and British producer Redinho. After providing a soundtrack to dissent with debut LP Cashmere, Swet Shop Boys are back with their Record Store Day 2017 release Sufi La. The EP of all new material leaves the political to focus on the party. 'Thas My Girl' sounds like Sugar Hill Gang inspired by Brandy and Monica's 'The Boy Is Mine' while 'Birding' is an ode to the Mughal pastime of birdwatching. A limited edition white vinyl available in all good record shops on Record Store Day, 22nd April 2017.
A1. Anthem A2. Sufi La A3. Thas My Girl
B1. Zombie B2. Birding B3. Need Moor
Acquista
1000 copie nel mondo!
Swet Shop Boys is a transatlantic hip hop group featuring Heems (ex-Das Racist), Riz MC (Riz Ahmed, who was a key actor in Star Wars Rogue One movie) and British producer Redinho. After providing a soundtrack to dissent with debut LP Cashmere, Swet Shop Boys are back with their Record Store Day 2017 release Sufi La. The EP of all new material leaves the political to focus on the party. 'Thas My Girl' sounds like Sugar Hill Gang inspired by Brandy and Monica's 'The Boy Is Mine' while 'Birding' is an ode to the Mughal pastime of birdwatching. A limited edition white vinyl available in all good record shops on Record Store Day, 22nd April 2017.
A1. Anthem A2. Sufi La A3. Thas My Girl
B1. Zombie B2. Birding B3. Need Moor
9,50€
Acquista 