Descrizione Prodotto

Nerone - Maxtape (02-04-2021) Vinile Oro
31,90€

Pantu & Long John - Trust In Us (Limited Edition 100 Copie)
27,50€
The Night Skinny – Pezzi Instrumental (5 X 7”)
49,90€
Formato: 45 // 7" | Genere: Hip Hop EU
Piu poster autografato
Esaurito
Categorie: 45 // 7", Hip Hop EU, Instrumental, Sealed, Sealed.
Additional Information
Spedizione & Restituzione
Additional Information
Peso | 0.300 kg |
---|
Restituzioni e Cambi
Diritto di restituzione entro 48 h dal ricevimento della merce.
Spedizione
Tutte le spedizioni da Mint & Soul Records saranno effettuate da Corriere
- da 0 a 2 kg - 8€
- da 2.1 a 4 kg - 9€
- da 4.1 a 6 kg - 12€
Spedizione gratuita con ordini sopra i 90€!
Prodotti correlati
Fuori
dal magazzino 
Fuori
dal magazzino
16,50€
Disponibile dal 27/3/2020
With the original UK 7” of this release now as rare as hen’s teeth, and with the group having recently ‘reformed’ for one last album together, the Mr Bongo replica re-release of this 1990 masterpiece by Gang Starr couldn’t be more timely.
The now-legendary duo of DJ Premier and Guru dropped this at the height of hip-hop’s sampling of jazz, which had led to a creative leap forward for the genre. Yet while others plundered in the dark, this instant classic wore its influences on its sleeve and paid verbal homage to the musicians they were sampling. The “melodious funk” of “Thelonious Monk” gets namechecked, while the track samples two of his records, including 1958’s Bop gem ‘Light Blue’.
While both versions presented here have common elements, the ‘Movie Mix’ – so-named for the song’s appearance on the soundtrack to Spike Lee’s mythic jazz biopic ‘Mo’ Better Blues’ – goes in a few different directions to the ‘Video Mix’. Rather than just drop in an instrumental for the B-side, DJ Premier instead shows his versatility by switching up the base track (Kool & The Gang’s 1971 ‘Dujii’) and layering in other samples. In more ways than one, his virtuosity here echoes the improvisation of a jazz musician, akin to Denzel Washington’s Bleak in the movie.
Of course, he’s not the only show in town. The late Guru’s voice is as mellifluous as an instrument itself here, his potted history of the genre and the artists of jazz delivered with his own unmistakable cadence. Without this record, would he have gone on to make his ‘Jazzmatazz’ projects
Read More
Disponibile dal 27/3/2020
With the original UK 7” of this release now as rare as hen’s teeth, and with the group having recently ‘reformed’ for one last album together, the Mr Bongo replica re-release of this 1990 masterpiece by Gang Starr couldn’t be more timely.
The now-legendary duo of DJ Premier and Guru dropped this at the height of hip-hop’s sampling of jazz, which had led to a creative leap forward for the genre. Yet while others plundered in the dark, this instant classic wore its influences on its sleeve and paid verbal homage to the musicians they were sampling. The “melodious funk” of “Thelonious Monk” gets namechecked, while the track samples two of his records, including 1958’s Bop gem ‘Light Blue’.
While both versions presented here have common elements, the ‘Movie Mix’ – so-named for the song’s appearance on the soundtrack to Spike Lee’s mythic jazz biopic ‘Mo’ Better Blues’ – goes in a few different directions to the ‘Video Mix’. Rather than just drop in an instrumental for the B-side, DJ Premier instead shows his versatility by switching up the base track (Kool & The Gang’s 1971 ‘Dujii’) and layering in other samples. In more ways than one, his virtuosity here echoes the improvisation of a jazz musician, akin to Denzel Washington’s Bleak in the movie.
Of course, he’s not the only show in town. The late Guru’s voice is as mellifluous as an instrument itself here, his potted history of the genre and the artists of jazz delivered with his own unmistakable cadence. Without this record, would he have gone on to make his ‘Jazzmatazz’ projects
16,50€
Read More Fuori
dal magazzino 
Fuori
dal magazzino
12,90€
Reuban Wilson "We're are in love"
sample flip sets the tone for Nas Memory Lane (Sittin' in Da Park) sampled and chopped by 1 only . DJ Premier sampled multiple elements from Wilson’s original composition, including the organ, percussion and distinctive wordless backing vocals. The seldom-sampled track is now irrevocably tied to this classic East Coast jam.
Galaxy crew decided to give it a Re mastered rinse, chop up the intro break to back to life for 45 fans to appreciate.
Valdez In The Country by Donny Hathaway
Re mastered Re edited .
Sampled by Madlib back in 2010
Read More
Reuban Wilson "We're are in love"
sample flip sets the tone for Nas Memory Lane (Sittin' in Da Park) sampled and chopped by 1 only . DJ Premier sampled multiple elements from Wilson’s original composition, including the organ, percussion and distinctive wordless backing vocals. The seldom-sampled track is now irrevocably tied to this classic East Coast jam.
Galaxy crew decided to give it a Re mastered rinse, chop up the intro break to back to life for 45 fans to appreciate.
Valdez In The Country by Donny Hathaway
Re mastered Re edited .
Sampled by Madlib back in 2010
12,90€
Read More 
106,00€
BBE Music announces a special 20th Anniversary edition of one of the most important records in the label’s history: J Dilla’s Welcome 2 Detroit, presented in a deluxe 7” vinyl box set boasting instrumentals, two brand new interpretations by Azymuth and Muro, a stash of previously unreleased alternative mixes and studio outtakes pressed over 12 discs, plus a book revealing the album’s hidden story, told by those who were there.
First issued by BBE Music on Monday 26th of February 2001, Welcome 2 Detroit was James Dewitt Yancey aka Jay Dee’s first solo outing and the debut appearance of his new ‘J Dilla’ moniker (bestowed on him by none other than Busta Rhymes). The album also inaugurated the producer-led Beat Generation album series, which would later spawn classic LPs by DJ Jazzy Jeff, Pete Rock, DJ Spinna, Marley Marl and even will.i.am, all of whom had been inspired to reach for new creative heights by hearing Dilla’s magnum opus.
Choosing to showcase his own voice and the voices of local rap-heroes from across the city instead of big stars, Welcome 2 Detroit marked a coming of age for the then 27 year-old producer, who fully embraced the creative-freedom offered by BBE for his first solo project. As Dilla tells it: “Peter (Adarkwah, founder of BBE) let me do whatever I wanted to do. So, I wanted to put people on there who are gonna spit y’know, lyrically and represent Detroit. Because I wouldn’t have been able to pull this album off if it came out under a major. Cos they’re not gonna let you just do a song or you can’t just do an instrumental. You gotta have this feature and you’re Jay Dee, why ain’t you got Erykah Badu? Why ain’t you got so and so on your album? I’d have had to go through all of that, instead of just putting out…y’know, Beej on this joint!”
The album would prove to be the perfect distillation of Dilla’s Detroit. From Kraftwerk- inspired Tech Noir that would make Metroplex proud, through subtle echoes from Africa, live jazz-funk and bossa-nova grooves, to tough Midwest boom-bap, this record somehow showed reverence to the city’s past without ever leaving its present. Grimy street flows that somehow swayed like James Brown. Unquantized marvels, so free and alive in their bounce, that they could seduce the hardest of hard-rocks into the sweetest screwface! Diverse, multifaceted, super collaborative and yet somehow singular, Welcome 2 Detroit was the shy and humble James Yancey revealing his true self in the only way he knew how: through his music.
“The numerous guest appearances from some of the city’s best MCs at the time — Beej, Big Tone, Elzhi, Frank N Dank, Phat Kat — added to the album’s immersive experience, offering listeners a taste of Detroit in a way that only Jay Dee could do.” – Okayplayer
To mark the 20th Anniversary of this momentous record, BBE Music is issuing a specially remastered edition of Welcome 2 Detroit, featuring a stunning new remix of ‘Think Twice’ by Japanese DJ/producer Muro and a stellar cover version of ‘Rico Suave Bossa Nova’ by legendary Brazilian jazz-funk juggernauts Azymuth, plus a stash of newly discovered alternate versions and work-in-progress recordings from the album sessions, lovingly reproduced from priceless cassette tapes recorded by J Dilla himself. An accompanying book by British writer and filmmaker John Vanderpuije offers an oral history of the album’s making, as told by Amp Fiddler, Ma Dukes and all of the album’s key musical contributors. The deluxe 7” vinyl box set and digital album will be released on February 5th 2021 during the annual #DillaMonth celebration, as close to the great man’s birthday as possible,
Format: 12x 7″ Vinyl Box Set / Digital
Release Date: February 5th, 2021
Acquista
BBE Music announces a special 20th Anniversary edition of one of the most important records in the label’s history: J Dilla’s Welcome 2 Detroit, presented in a deluxe 7” vinyl box set boasting instrumentals, two brand new interpretations by Azymuth and Muro, a stash of previously unreleased alternative mixes and studio outtakes pressed over 12 discs, plus a book revealing the album’s hidden story, told by those who were there.
First issued by BBE Music on Monday 26th of February 2001, Welcome 2 Detroit was James Dewitt Yancey aka Jay Dee’s first solo outing and the debut appearance of his new ‘J Dilla’ moniker (bestowed on him by none other than Busta Rhymes). The album also inaugurated the producer-led Beat Generation album series, which would later spawn classic LPs by DJ Jazzy Jeff, Pete Rock, DJ Spinna, Marley Marl and even will.i.am, all of whom had been inspired to reach for new creative heights by hearing Dilla’s magnum opus.
Choosing to showcase his own voice and the voices of local rap-heroes from across the city instead of big stars, Welcome 2 Detroit marked a coming of age for the then 27 year-old producer, who fully embraced the creative-freedom offered by BBE for his first solo project. As Dilla tells it: “Peter (Adarkwah, founder of BBE) let me do whatever I wanted to do. So, I wanted to put people on there who are gonna spit y’know, lyrically and represent Detroit. Because I wouldn’t have been able to pull this album off if it came out under a major. Cos they’re not gonna let you just do a song or you can’t just do an instrumental. You gotta have this feature and you’re Jay Dee, why ain’t you got Erykah Badu? Why ain’t you got so and so on your album? I’d have had to go through all of that, instead of just putting out…y’know, Beej on this joint!”
The album would prove to be the perfect distillation of Dilla’s Detroit. From Kraftwerk- inspired Tech Noir that would make Metroplex proud, through subtle echoes from Africa, live jazz-funk and bossa-nova grooves, to tough Midwest boom-bap, this record somehow showed reverence to the city’s past without ever leaving its present. Grimy street flows that somehow swayed like James Brown. Unquantized marvels, so free and alive in their bounce, that they could seduce the hardest of hard-rocks into the sweetest screwface! Diverse, multifaceted, super collaborative and yet somehow singular, Welcome 2 Detroit was the shy and humble James Yancey revealing his true self in the only way he knew how: through his music.
“The numerous guest appearances from some of the city’s best MCs at the time — Beej, Big Tone, Elzhi, Frank N Dank, Phat Kat — added to the album’s immersive experience, offering listeners a taste of Detroit in a way that only Jay Dee could do.” – Okayplayer
To mark the 20th Anniversary of this momentous record, BBE Music is issuing a specially remastered edition of Welcome 2 Detroit, featuring a stunning new remix of ‘Think Twice’ by Japanese DJ/producer Muro and a stellar cover version of ‘Rico Suave Bossa Nova’ by legendary Brazilian jazz-funk juggernauts Azymuth, plus a stash of newly discovered alternate versions and work-in-progress recordings from the album sessions, lovingly reproduced from priceless cassette tapes recorded by J Dilla himself. An accompanying book by British writer and filmmaker John Vanderpuije offers an oral history of the album’s making, as told by Amp Fiddler, Ma Dukes and all of the album’s key musical contributors. The deluxe 7” vinyl box set and digital album will be released on February 5th 2021 during the annual #DillaMonth celebration, as close to the great man’s birthday as possible,
Format: 12x 7″ Vinyl Box Set / Digital
Release Date: February 5th, 2021
106,00€
Acquista 
11,50€
Disponibile dal 27/3
Funk 45 champions The Mighty Mocambos deliver another colourful record in their favorite format. Both break-heavy psychedelic soul score theme Supertrada and battle proven b-boy jam Concrete Stardust are from the much celebrated album "2066". By popular demand, here they come in exclusive DJ-friendly uncut/extended versions. A hard-hitting double-sider set to be a resident in your 45 case
Acquista
Disponibile dal 27/3
Funk 45 champions The Mighty Mocambos deliver another colourful record in their favorite format. Both break-heavy psychedelic soul score theme Supertrada and battle proven b-boy jam Concrete Stardust are from the much celebrated album "2066". By popular demand, here they come in exclusive DJ-friendly uncut/extended versions. A hard-hitting double-sider set to be a resident in your 45 case
11,50€
Acquista 
21,99€
Official Mr Bongo Hip Hop Reissue When the film ‘White Men Can’t Jump’ was released in 1992, an EP of music from the film was dropped almost simultaneously. That EP, cheekily titled ‘White Men Can’t Rap’, featured a couple of exclusive gems, notably Gang Starr’s ‘Now You’re Mine’ and a cut from Main Source called ‘Fakin’ the Funk’. The only single borne of that six-track EP was the Main Source track, released in remixed form on Wild Pitch records the same year. No surprise, it was head and shoulders above the rest. Opening with those unmistakable harmonies from Main Ingredient’s ‘Magic Shoes’, the intro segues into a crisp beat borrowed from Grady Tate’s frequently sampled ‘Be Black Baby’ from 1969. Throw in a sprinkle of Kool & The Gang and you’ve got a track that would fit seamlessly onto Main Source’s masterpiece of an album, ‘Breaking Atoms’. Instead, it’s the group’s last hurrah, the final collaboration between K-Cut, Sir Scratch and Large Professor before the latter departed the trio. It’s fitting that he saves one of his best vocal performances for last, railing at sell-outs with the assistance of his long-term collaborator Neek the Exotic. Never released before on an official 7”, it’s a track that has lost none of its appeal, and the remix is the definitive version of this classic
Acquista
Official Mr Bongo Hip Hop Reissue When the film ‘White Men Can’t Jump’ was released in 1992, an EP of music from the film was dropped almost simultaneously. That EP, cheekily titled ‘White Men Can’t Rap’, featured a couple of exclusive gems, notably Gang Starr’s ‘Now You’re Mine’ and a cut from Main Source called ‘Fakin’ the Funk’. The only single borne of that six-track EP was the Main Source track, released in remixed form on Wild Pitch records the same year. No surprise, it was head and shoulders above the rest. Opening with those unmistakable harmonies from Main Ingredient’s ‘Magic Shoes’, the intro segues into a crisp beat borrowed from Grady Tate’s frequently sampled ‘Be Black Baby’ from 1969. Throw in a sprinkle of Kool & The Gang and you’ve got a track that would fit seamlessly onto Main Source’s masterpiece of an album, ‘Breaking Atoms’. Instead, it’s the group’s last hurrah, the final collaboration between K-Cut, Sir Scratch and Large Professor before the latter departed the trio. It’s fitting that he saves one of his best vocal performances for last, railing at sell-outs with the assistance of his long-term collaborator Neek the Exotic. Never released before on an official 7”, it’s a track that has lost none of its appeal, and the remix is the definitive version of this classic
21,99€
Acquista