Ristampa 2LP

2lp ristampa Di nuovo disponibile 12-07-21

Dal 26-02-2021 Uno x cliente

2Lp gatefold Eu press TRACKLIST 1. The Sure Shot’ (Intro) 2. Lights Out Feat. M.O.P. 3. Bad Name 4. Hit Man Feat. Q-Tip 5. What’s Real Feat. Group Home & Royce Da 5’9 6. Keith Casim Elam (Interlude) 7. From A Distance Feat. Jeru The Damaja 8. Family and Loyalty Feat. J. Cole 9. Get Together feat. Ne-Yo & Nitty Scott 10. NYGz 11. GS 183rd (Interlude) 12. So Many Rappers 13. Business Or Art Feat. Talib Kweli 14. Bring It Back Here 15. One Of The Best Yet (Big Shug Interlude) 16. Take Flight (Militia Pt. 4) feat. Big Shug & Freddie Foxxx 17. Bless The Mic

I Rap and Go Home is the result of smart choices, experience and a willingness to stick to what you're good at! We live in a confusing, terrifying world of Donald Trump and Brexit. Maybe, under the current circumstances, a little throwback to the '80s isn't such a bad thing. Craig might not have been as steady or reliable as his Juice Crew buddy Masta Ace, but it's surprising just how solid I Rap and Go Home is. It's compact, straightforward and a lot of fun, the kind of album you can happily put on in the background when you don't want to think too hard or pay too much attention. The songs themselves still knock. The album has a single producer, VaporWorldz, a choice that gives it a coherence and clarity that other records don't have. Plus, there are some nice guest surprises: Craig tag-teams with Ras Kass, Buckshot and Rock on "365," and trades barbs with Jarobi on the grimy "N.I.O.M.M." There's even a surprise appearance from Canibus — surprising, that is, because he doesn't screw it up. The guests never overwhelm, never outstay their welcome.

Ristampa del 2010 Timeless classic!

In 1977, in the midst of a period of political turmoil and social unrest that went down in Italian history as “years of lead”, screenwriter and director Massimo Pirri made a film no one else had the courage to make: Italia: ultimo atto? (Could It Happen Here?).Here, Pirri explores the controversial (and, in the 70s, very current) topic of left-wing armed struggle. He does so through a storyline that is almost prophetic: in the film, a mysterious ultra-leftwing armed group plans and executes the killing of the Ministry of the Interior; in 1978 Christian Democrat leader and former premier Aldo Moro was kidnapped and killed by the Marxist-Leninist Red Brigades). The violence of Pirri’s storyline is fully captured by the score composed by Lallo Gori, who uses obscure synths, analog keyboards, and dry-sounding acoustic drums to create an extremely tense and frenzied soundscape of electronic textures. The result is an album that combines dark, haunting jazz-funk with ambient atmospheres and suspenseful electronic sounds, and which ends up sounding like an instrumental proto-hip hop record where Moog synths take the lead together with drums. At the time, this must have seemed like a low-budget, ramshackle soundtrack – essentially, a Bmovie soundtrack. Indeed, the extensive use of electronic sounds was meant to compensate for the lack of acoustic instruments, such as the bass or (alas!) brass, which were replaced by keyboards and MiniMoog synths. Today, however, Lallo Gori’s odd and minimalistic style of arranging makes this score sound unexpected, avant-garde, and innovative. In short, modern and contemporary. Previously unreleased in any format, all tracks have been remastered from the original master tapes

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