Descrizione Prodotto
th1rt3en – A Magnificent Day For An Exorcism (Pharoahe Monch) 09-04-2021
31,99€
Disponibile su ordinazione
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Spedizione & Restituzione
Additional Information
| Peso | 0.300 kg |
|---|
Restituzioni e Cambi
Diritto di restituzione entro 48 h dal ricevimento della merce.
Spedizione
Tutte le spedizioni da Mint & Soul Records saranno effettuate da Corriere
- da 0 a 2 kg - 8€
- da 2.1 a 4 kg - 9€
- da 4.1 a 6 kg - 12€
Spedizione gratuita con ordini sopra i 90€!
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There is no disputing that Benny The Butcher has arrived. With anticipation now at a fever pitch, Benny The Butcher puts a bow on his and Griselda’s genre-shifting year with his new album Burden Of Proof; an album that aligns the best rapper alive, with the hottest producer (Hit-Boy) of 2020. Mastered by Guru, Burden of Proof is The Butcher’s official level up. With Burden Of Proof, Benny took his time and holed up in LA with Hit-Boy to craft a masterpiece; and the one producer methodology, though a somewhat new concept for Benny, aids the albums musical variance, depth and diversity. It’s still gritty and vintage, but coupled with the melodic and anthemic production of Hit-Boy; Benny’s Pyrex vision raps have never sounded more festival ready.
Acquista
A download code is included.
There is no disputing that Benny The Butcher has arrived. With anticipation now at a fever pitch, Benny The Butcher puts a bow on his and Griselda’s genre-shifting year with his new album Burden Of Proof; an album that aligns the best rapper alive, with the hottest producer (Hit-Boy) of 2020. Mastered by Guru, Burden of Proof is The Butcher’s official level up. With Burden Of Proof, Benny took his time and holed up in LA with Hit-Boy to craft a masterpiece; and the one producer methodology, though a somewhat new concept for Benny, aids the albums musical variance, depth and diversity. It’s still gritty and vintage, but coupled with the melodic and anthemic production of Hit-Boy; Benny’s Pyrex vision raps have never sounded more festival ready.
22,90€
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188,00€
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9LP box set featuring Biggie's four albums--Ready to Die (2LP), Born Again (3LP), Life After Death (2LP), & Junior Mafia’s Conspiracy (2LP)--bundled together for the first time, pressed on clear vinyl and housed in a boxed set .
For both Life After Death and Born Again, this is the first time digitally remastered audio has been available on any physical release.
This package includes biographical liner notes from veteran hip-hop journalist and author Kathy Iondoli and artwork by Grammy-winning artist Masaki Koike.
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26/9/2020
9LP box set featuring Biggie's four albums--Ready to Die (2LP), Born Again (3LP), Life After Death (2LP), & Junior Mafia’s Conspiracy (2LP)--bundled together for the first time, pressed on clear vinyl and housed in a boxed set .
For both Life After Death and Born Again, this is the first time digitally remastered audio has been available on any physical release.
This package includes biographical liner notes from veteran hip-hop journalist and author Kathy Iondoli and artwork by Grammy-winning artist Masaki Koike.
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Official Mr Bongo Hip Hop Reissue When the film ‘White Men Can’t Jump’ was released in 1992, an EP of music from the film was dropped almost simultaneously. That EP, cheekily titled ‘White Men Can’t Rap’, featured a couple of exclusive gems, notably Gang Starr’s ‘Now You’re Mine’ and a cut from Main Source called ‘Fakin’ the Funk’. The only single borne of that six-track EP was the Main Source track, released in remixed form on Wild Pitch records the same year. No surprise, it was head and shoulders above the rest. Opening with those unmistakable harmonies from Main Ingredient’s ‘Magic Shoes’, the intro segues into a crisp beat borrowed from Grady Tate’s frequently sampled ‘Be Black Baby’ from 1969. Throw in a sprinkle of Kool & The Gang and you’ve got a track that would fit seamlessly onto Main Source’s masterpiece of an album, ‘Breaking Atoms’. Instead, it’s the group’s last hurrah, the final collaboration between K-Cut, Sir Scratch and Large Professor before the latter departed the trio. It’s fitting that he saves one of his best vocal performances for last, railing at sell-outs with the assistance of his long-term collaborator Neek the Exotic. Never released before on an official 7”, it’s a track that has lost none of its appeal, and the remix is the definitive version of this classic
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Official Mr Bongo Hip Hop Reissue When the film ‘White Men Can’t Jump’ was released in 1992, an EP of music from the film was dropped almost simultaneously. That EP, cheekily titled ‘White Men Can’t Rap’, featured a couple of exclusive gems, notably Gang Starr’s ‘Now You’re Mine’ and a cut from Main Source called ‘Fakin’ the Funk’. The only single borne of that six-track EP was the Main Source track, released in remixed form on Wild Pitch records the same year. No surprise, it was head and shoulders above the rest. Opening with those unmistakable harmonies from Main Ingredient’s ‘Magic Shoes’, the intro segues into a crisp beat borrowed from Grady Tate’s frequently sampled ‘Be Black Baby’ from 1969. Throw in a sprinkle of Kool & The Gang and you’ve got a track that would fit seamlessly onto Main Source’s masterpiece of an album, ‘Breaking Atoms’. Instead, it’s the group’s last hurrah, the final collaboration between K-Cut, Sir Scratch and Large Professor before the latter departed the trio. It’s fitting that he saves one of his best vocal performances for last, railing at sell-outs with the assistance of his long-term collaborator Neek the Exotic. Never released before on an official 7”, it’s a track that has lost none of its appeal, and the remix is the definitive version of this classic
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Ghost Dog - Original Motion Picture Score, produced by The RZA, is now available on official Vinyl and CD editions! This masterpiece was previously only given a limited Japanese release, and is the first film score produced by The RZA and features appearances by Wu Tang Clan.
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Ghost Dog - Original Motion Picture Score, produced by The RZA, is now available on official Vinyl and CD editions! This masterpiece was previously only given a limited Japanese release, and is the first film score produced by The RZA and features appearances by Wu Tang Clan.
Red vinyl
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