Descrizione Prodotto
Ruff Ryders – Ryde Or Die Vol. 4: The Redemption
5,00€
Condizione disco: Near Mint
Disco ascoltato pochissime volte che perciò si presenta quasi perfetto. Non ha segni di usura sulla superficie, quindi la qualità del suono è perfetta e non vi sono rumori di fondo.
Condizione cover: Near Mint
Copertina che non presenta nessun segno di usura e si presenta come nuova.
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27,50€
DESCRIPTION
Knowledge The Pirate is back! Roc Marci’s righthand man has been quietly building another masterpiece and as usual he’s kept his circle small. The album is fully produced by Pirate’s regular collaborator E.L.E.M.N.T. and noted Italian producer Cuns. There is no features on this project because KTP felt the need to keep the spotlight firmly focused on himself this time around.
The new LP is titled Family Jewels and is based on the Black Madonna and Jesus’ bloodline. Of course, the record is still that hardcore Street Hop fans have come to expect from Pirate, but it’s also a little deeper than that. The first leak from the album, “Oni Experience,” finds Knowledge utilizing a conversational flow to drop mad jewels about street life, while the second leak, “Red Beam,” is some genuine weight-moving music.
125 copie vinile nero
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DESCRIPTION
Knowledge The Pirate is back! Roc Marci’s righthand man has been quietly building another masterpiece and as usual he’s kept his circle small. The album is fully produced by Pirate’s regular collaborator E.L.E.M.N.T. and noted Italian producer Cuns. There is no features on this project because KTP felt the need to keep the spotlight firmly focused on himself this time around.
The new LP is titled Family Jewels and is based on the Black Madonna and Jesus’ bloodline. Of course, the record is still that hardcore Street Hop fans have come to expect from Pirate, but it’s also a little deeper than that. The first leak from the album, “Oni Experience,” finds Knowledge utilizing a conversational flow to drop mad jewels about street life, while the second leak, “Red Beam,” is some genuine weight-moving music.
125 copie vinile nero
27,50€
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31,90€
2Lp gatefold
U.s.a press
TRACKLIST
1. The Sure Shot’ (Intro)
2. Lights Out Feat. M.O.P.
3. Bad Name
4. Hit Man Feat. Q-Tip
5. What’s Real Feat. Group Home & Royce Da 5’9
6. Keith Casim Elam (Interlude)
7. From A Distance Feat. Jeru The Damaja
8. Family and Loyalty Feat. J. Cole
9. Get Together feat. Ne-Yo & Nitty Scott
10. NYGz
11. GS 183rd (Interlude)
12. So Many Rappers
13. Business Or Art Feat. Talib Kweli
14. Bring It Back Here
15. One Of The Best Yet (Big Shug Interlude)
16. Take Flight (Militia Pt. 4) feat. Big Shug & Freddie Foxxx
17. Bless The Mic
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2Lp gatefold
U.s.a press
TRACKLIST
1. The Sure Shot’ (Intro)
2. Lights Out Feat. M.O.P.
3. Bad Name
4. Hit Man Feat. Q-Tip
5. What’s Real Feat. Group Home & Royce Da 5’9
6. Keith Casim Elam (Interlude)
7. From A Distance Feat. Jeru The Damaja
8. Family and Loyalty Feat. J. Cole
9. Get Together feat. Ne-Yo & Nitty Scott
10. NYGz
11. GS 183rd (Interlude)
12. So Many Rappers
13. Business Or Art Feat. Talib Kweli
14. Bring It Back Here
15. One Of The Best Yet (Big Shug Interlude)
16. Take Flight (Militia Pt. 4) feat. Big Shug & Freddie Foxxx
17. Bless The Mic
31,90€
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27,50€
Pete Rock, whose production work helped define the 90s “golden age,” is a rare exception; Rock’s one of the few musicians who made his name in the aggressively unflashy 90s East Coast sound and managed to stay continually relevant without capitulating to changing tastes.
80 Blocks from Tiffany's offered proof that amidst the expeditions rap music’s launching into new sonic territories like EDM, noisy psychedelia, and quasi-industrial music, the classic boom-bap stuff still has a place.
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Pete Rock, whose production work helped define the 90s “golden age,” is a rare exception; Rock’s one of the few musicians who made his name in the aggressively unflashy 90s East Coast sound and managed to stay continually relevant without capitulating to changing tastes.
80 Blocks from Tiffany's offered proof that amidst the expeditions rap music’s launching into new sonic territories like EDM, noisy psychedelia, and quasi-industrial music, the classic boom-bap stuff still has a place.
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32,00€
05-03-2021
Gil Evans to Miles Davis…. Holger Czukay to the ensemble known as Can….Jean Claude Vannier to Serge Gainsbourg on Histoire de Melody Nelson. That’s the only way to explain the specificity of Four Tet and Madlib’s collaboration, in this special album that showcases a two-decade long friendship that has resulted in an album that follows Madlib’s classics like Quasimoto’s The Unseen, Madvillainy and his Pinata and Bandana albums with Freddie Gibbs. “A few months ago I completed work on an album with my friend Madlib that we’d been making for the last few years. He is always making loads of music in all sorts of styles and I was listening to some of his new beats and studio sessions when I had the idea that it would be great to hear some of these ideas made into a Madlib solo album. Not made into beats for vocalists to use but instead arranged into tracks that could all flow together in an album designed to be listened to start to finish. I put this concept to him when we were hanging out eating some nice food one day and we decided to work on this together with him sending me tracks, loops, ideas and experiments that I would arrange, edit, manipulate and combine. I was sent hundreds of pieces of music over a couple of years stretch and during that time I put together this album with all the parts that fitted with my vision.” - Kieren Hebden AKA Four Tet
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05-03-2021
Gil Evans to Miles Davis…. Holger Czukay to the ensemble known as Can….Jean Claude Vannier to Serge Gainsbourg on Histoire de Melody Nelson. That’s the only way to explain the specificity of Four Tet and Madlib’s collaboration, in this special album that showcases a two-decade long friendship that has resulted in an album that follows Madlib’s classics like Quasimoto’s The Unseen, Madvillainy and his Pinata and Bandana albums with Freddie Gibbs. “A few months ago I completed work on an album with my friend Madlib that we’d been making for the last few years. He is always making loads of music in all sorts of styles and I was listening to some of his new beats and studio sessions when I had the idea that it would be great to hear some of these ideas made into a Madlib solo album. Not made into beats for vocalists to use but instead arranged into tracks that could all flow together in an album designed to be listened to start to finish. I put this concept to him when we were hanging out eating some nice food one day and we decided to work on this together with him sending me tracks, loops, ideas and experiments that I would arrange, edit, manipulate and combine. I was sent hundreds of pieces of music over a couple of years stretch and during that time I put together this album with all the parts that fitted with my vision.” - Kieren Hebden AKA Four Tet
32,00€
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26,00€
With Retropolitan, Skyzoo’s most recent collaborative project with Pete Rock, he got to live out a dream, as two generations of legendary native New Yorkers aligned to create an album that was both a love letter and a wakeup call to the city they love.
Now, with The Bluest Note, Skyzoo is checking another box on his bucket list. “Since my debut album, I’ve never released a project that didn’t include a moment of jazz influence; with some sort of live instrumentation, something that connected my lyricism with the truest definition of musical lyricism; jazz” Skyzoo commented. “As much as I’ve incorporated my favorite genre of music with my other favorite genre of music, this is the first time I’ve been able to craft an entire project based on jazz production from top to bottom” Skyzoo quipped. “The Bluest Note is a testament to something I’d been longing to do for as far back as I can remember.”
In 2017, Sky was touring in Italy and while there attended a show from a local nu-jazz
band, Dumbo Station, and was immediately impressed. Shortly thereafter, those seeds blossomed into conversations and in June 2019 Skyzoo was in Rome writing, composing and recording music with the talented musicians.
“Collaborating with Italy’s renowned jazz band Dumbo Station was an absolute honor.
From writing musical arrangements with them and having them bring them to life in the studio in Rome, Italy; it was a perfect union and execution of what I foresaw when I began to sketch out the project. Six songs, as an homage to the classic jazz albums of the genre’s heyday (when LPs were around six tracks total). The Bluest Note is the storytelling and inner-city expressions you’ve come to know and love from me, attached to the jazz orchestration I’m dying to introduce to some and re-introduce to others. Ladies and gentlemen, this is, The Bluest Note...”
Read More
With Retropolitan, Skyzoo’s most recent collaborative project with Pete Rock, he got to live out a dream, as two generations of legendary native New Yorkers aligned to create an album that was both a love letter and a wakeup call to the city they love.
Now, with The Bluest Note, Skyzoo is checking another box on his bucket list. “Since my debut album, I’ve never released a project that didn’t include a moment of jazz influence; with some sort of live instrumentation, something that connected my lyricism with the truest definition of musical lyricism; jazz” Skyzoo commented. “As much as I’ve incorporated my favorite genre of music with my other favorite genre of music, this is the first time I’ve been able to craft an entire project based on jazz production from top to bottom” Skyzoo quipped. “The Bluest Note is a testament to something I’d been longing to do for as far back as I can remember.”
In 2017, Sky was touring in Italy and while there attended a show from a local nu-jazz
band, Dumbo Station, and was immediately impressed. Shortly thereafter, those seeds blossomed into conversations and in June 2019 Skyzoo was in Rome writing, composing and recording music with the talented musicians.
“Collaborating with Italy’s renowned jazz band Dumbo Station was an absolute honor.
From writing musical arrangements with them and having them bring them to life in the studio in Rome, Italy; it was a perfect union and execution of what I foresaw when I began to sketch out the project. Six songs, as an homage to the classic jazz albums of the genre’s heyday (when LPs were around six tracks total). The Bluest Note is the storytelling and inner-city expressions you’ve come to know and love from me, attached to the jazz orchestration I’m dying to introduce to some and re-introduce to others. Ladies and gentlemen, this is, The Bluest Note...”
26,00€
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23,99€
BLACK VINYL or LIMITED EDITION BLACK AND WHITE SPLATTER available.
A. Beat Bop (Vocal) / B. Beat Bop (Instrumental)
Much about ‘Beat Bop’ is shrouded in mystery. Who really produced it? Why was Jean-Michel Basquiat relegated from rapper on the track to drawing the cover and labels? What are they actually rapping about for most of the ten-minute length?
These questions, however, are all part of the enigma and rich legend surrounding a song that is an undisputed piece of true hip-hop genius. The combination of graffiti artist Rammellzee and rapper K-Rob is a potent one, with each MC adopting a persona - hustler and B-Boy respectively - that they maintain against an unusual swirling backdrop that must be one of the best instrumentals ever committed to wax.
The original Tartown Record pressing was limited to 500 copies, a mere test pressing in the eyes of the assembled artists, with scarcity further driven by Basquiat’s rising rep in the art world. Those few hundred copies – and a subsequent re-release on Profile Records (the same label where K-Rob played out the rest of his brief career) – punched well above their weight in terms of lasting influence.
Consider the early vocal tones of the Beastie Boys (who also sampled the track), or the huge part it played in the sound of Cypress Hill and B-Real. His voice is almost homage to Rammellzee’s on ‘Beat Bop’, while they also lifted the chorus of ‘Shoot ‘Em Up’ and even a sample of ‘Cypress Hill’ from the track too. It’s unsurprising – this is a multi-layered, complex song that reveals a little more of itself each time you play it but remains damn funky.
This reissue boasts the vocal and instrumental versions in full, as well as both the full cover and label artwork from the original Tartown Release.
Acquista
BLACK VINYL or LIMITED EDITION BLACK AND WHITE SPLATTER available.
A. Beat Bop (Vocal) / B. Beat Bop (Instrumental)
Much about ‘Beat Bop’ is shrouded in mystery. Who really produced it? Why was Jean-Michel Basquiat relegated from rapper on the track to drawing the cover and labels? What are they actually rapping about for most of the ten-minute length?
These questions, however, are all part of the enigma and rich legend surrounding a song that is an undisputed piece of true hip-hop genius. The combination of graffiti artist Rammellzee and rapper K-Rob is a potent one, with each MC adopting a persona - hustler and B-Boy respectively - that they maintain against an unusual swirling backdrop that must be one of the best instrumentals ever committed to wax.
The original Tartown Record pressing was limited to 500 copies, a mere test pressing in the eyes of the assembled artists, with scarcity further driven by Basquiat’s rising rep in the art world. Those few hundred copies – and a subsequent re-release on Profile Records (the same label where K-Rob played out the rest of his brief career) – punched well above their weight in terms of lasting influence.
Consider the early vocal tones of the Beastie Boys (who also sampled the track), or the huge part it played in the sound of Cypress Hill and B-Real. His voice is almost homage to Rammellzee’s on ‘Beat Bop’, while they also lifted the chorus of ‘Shoot ‘Em Up’ and even a sample of ‘Cypress Hill’ from the track too. It’s unsurprising – this is a multi-layered, complex song that reveals a little more of itself each time you play it but remains damn funky.
This reissue boasts the vocal and instrumental versions in full, as well as both the full cover and label artwork from the original Tartown Release.
23,99€
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16,50€
A: Made You Look / B: Made You Look (Instrumental without guns)
Nas has had a career of generally consistent excellence, punctuated with a few lulls. He’s an incredibly skilled rapper sometimes accused of having a tin ear when it comes to choosing beats – especially on albums (and the entirety of ‘Illmatic’ aside, obviously).
‘Made You Look’ was a shot in the arm for Nas at a time when he’d shed some of his core, street fanbase. After the unfocussed ‘Nastradamus’ and ‘I Am…’ albums he’d had a return to some kind of form with ‘Stillmatic’, but many felt he came off second best in the ensuing battle with Jay-Z.
This single, a club and street classic almost from the moment it dropped, is exactly what he needed to reconnect with his fans and to show he could still throw down. Lyrically, it’s hardcore bragging 101, delivered with panache and numerous quotables that themselves would go on to be sampled.
Key to it all, however, is that beat. Salaam Remi was no stranger to resurrections, having almost single-handedly turned The Fugees from forgettable also-rans to major-players. The beat here is deceptively simple, one of hundreds of records to chop up Incredible Bongo Band’s ‘Apache’ but doing so in a way that felt instantly fresh. Nearly 20 years later it still has the power to get a stationary crowd moving, an empty dancefloor to fill, a still head to nod.
This original version has never been on 7” before. It’s presented with full artwork
Read More
A: Made You Look / B: Made You Look (Instrumental without guns)
Nas has had a career of generally consistent excellence, punctuated with a few lulls. He’s an incredibly skilled rapper sometimes accused of having a tin ear when it comes to choosing beats – especially on albums (and the entirety of ‘Illmatic’ aside, obviously).
‘Made You Look’ was a shot in the arm for Nas at a time when he’d shed some of his core, street fanbase. After the unfocussed ‘Nastradamus’ and ‘I Am…’ albums he’d had a return to some kind of form with ‘Stillmatic’, but many felt he came off second best in the ensuing battle with Jay-Z.
This single, a club and street classic almost from the moment it dropped, is exactly what he needed to reconnect with his fans and to show he could still throw down. Lyrically, it’s hardcore bragging 101, delivered with panache and numerous quotables that themselves would go on to be sampled.
Key to it all, however, is that beat. Salaam Remi was no stranger to resurrections, having almost single-handedly turned The Fugees from forgettable also-rans to major-players. The beat here is deceptively simple, one of hundreds of records to chop up Incredible Bongo Band’s ‘Apache’ but doing so in a way that felt instantly fresh. Nearly 20 years later it still has the power to get a stationary crowd moving, an empty dancefloor to fill, a still head to nod.
This original version has never been on 7” before. It’s presented with full artwork
16,50€
Read More 
