Hiroshi Sato's ultra rare synth masterpiece, originally released in 1979 on Kitty Records in Japan only. Digitally remastered from the original tapes, Orient features the cream of Japanese musicians including Shigeru Suzuki on guitar, Haruomi Hosono on bass, Pecker on Percussion and Sato himself on keyboards and synthesizers. This highly sought-after album on the Balearic scene, changing hands for high prices, is a superb breezy mix of Japanese synth-pop and exotica with subtle touches of mid 70s Herbie Hancock-style funk and AOR.

Disponibile dal 23/04/2021!

“Per celebrare i 20 anni del primo negozio in italia di streetwear hip hop è...

Disponibile entro il 20/5

2Lp Tracklist A1 If I'm In Luck I Might Get Picked Up A2 Anti Love Song A3 Your Man My Man A4 Ooh Yea B1 Steppin' In Her I. Miller Shoes B2 Shoo-B-Doop And Cop Him B3 He Was A Big Freak B4 Don't Call Her No Tramp C1 Git In There C2 They Say I'm Different C3 70's Blues C4 You And I D1 Nasty Girl D2 Funk D3 Getting Kicked Off, Havin' Fun D4 Shut Off The Light Notes From the albums "Betty Davis" 1973, "They Say I'm Different" 1974, "Nasty Girl" 1975

2Lp in uscita 11/6/2021

More glorious heat from the vaults of NYC's Disco powerhouse - P&P Records! One of many labels operating under the equally legendary tutelage of Patrick Adams and Peter Brown, two truly colossal figures in NYC's music scene, the P&P records catalogue is still fascinating underground dance music lovers to this day. Covering a wide range of styles including Gospel, early Rap and Disco the label's output continually finds its way into the playlists of respected DJ's and selectors across the globe. This latest repress from the vaults is a real biggie - a true NYC underground disco CLASSIC! Cloud One was one of Adams' numerous studio outfits, featuring a ridiculously healthy dose of the man's virtuoso keyboard and synth playing. This was a progressive Disco sound, the pairing of extremely danceable funk and R&B with some spaced out over-dubbed analogue synthesizers and keys made for a heady concoction indeed, especially in 1976 when this cut was released. This was one of many Cloud One trademarks and one of the things that make these records still sound so way out today! 'Atmosphere Strut' could not be a better title for this immense slice of true NYC space Disco - it's got it all - the driving rhythms of the Cloud One band, the killer vibes, celestial vocals and Adams' totally wigged out synthesizer workouts. On top of all this goodness, the main man Kon, Boston's editor supreme and self confessed DIsco fiend and digger, has dropped a stellar and respectful edit of Atmosphere Strut' for all your disc jockeys out there, featured here across the length of the B-side thus making this an essential repress of this legendary 12". If you don't know this jam, and you're a Disco head - you're in for a treat! You're gonna fly......! This is a 100% legit reissue, made in conjunction with Above Board distribution and the Phase One Music group, lovingly remastered with love by Optimum Mastering, Bristol UK.

Masterpiece!!!!

DATA USCITA PREVISTA 28-06-2021 KILL THE BEAT è il format del Substrato Studio in cui a cavallo fra il 2020 e il 2021 si sono alternati alcuni tra i più validi rapper e artisti della scena torinese per "uccidere il beat" sputando rime su una produzione inedita di Litothekid aka Paolito (Duplici). Ora i dieci freestyle esclusivi di Kill the Beat sono racchiusi in questa edizione limitata in vinile di 100 pezzi numerati a mano creata in collaborazione con il pittore torinese Max Petrone che per l'occasione ha disegnato sul retro copertina in nero su bianco i volti degli MCs coinvolti. Una produzione Substrato Music. Vinile White Marble (35 copie) Vinile Nero (65 Copie) Edizione limitata di 100 pezzi in collaborazione con il pittore torinese Max Petrone  TRACKLIST: #01 Michael Sorriso #02 Brattini #03 Mauràs #04 Rakno #05 Kiffa #06 Thai Smoke #07 Alby D (Duplici) #08 Angelino Panebianco #09 Annibale ( Aka Zuli )

Mother Freedom Band’s Cutting The Chord is a funky modern soul classic. It’s both a criminally under-appreciated album and a hard-to-find record so we’re delighted to be giving this sweet disco-funk groover the reissue treatment it deserves. Produced by the great Al Goodman from The Moments and originally released in 1977, Cutting The Chord seems to be one of the lesser known releases on the curious, and often great “All Platinum” label. Other than a 7″ of a couple of these tracks, the only thing that the band seem to have released is this album, and what an album it is. Unbeatable soul-funk of the highest quality. The album bursts open with “Love Will Stay In Your Corner”. It’s a soulful dancer that reliably slays any funk set you care to drop it in. It’s followed by the lithe disco funk “Flick Of The Wrist” that’s all bubbling baselines and elegant horns. The groovy, horn-enhanced sweet soul of “Gotta Get It Back” is equal parts heartbreaker/hip-shaker and the acidic organs on “Mr Brother” are an experiment in synth soul. Perhaps the group’s best known track, “Beautiful Summer’s Day” might well be worth the price of an original copy alone. It’s pure piano-driven paradise soul. A tropical birdsong intro sets the scene of a warm, perfect sunshine day and the lead vocal soars over the lush, clean production. The tempo oscillates between contemplative and stomping. Essential. The brilliantly-named “(Assistants Rag) When You’re Hot, You’re Hot” opens side two.

Ristampa 180g Disponibile in 5/6 gg

Disponibile in 4/6 gg

Ristampa

2LP EDIZIONE 250 COPIE NUMERATE E COLORATE DISPONIBILI DAL 31-7-19 !

Vinile marble grigio e bianco Limited edition 100 copie

IN USCITA DAL 30 APRILE 2021 Mi Fist” è il primo album in studio dei Club Dogo, pubblicato nel 2004 nella sua versione Vibrarecords / Saifam con l'aggiunta di tre remix: le canzoni sono Sangue e filigrana (con Vincenzo da Via Anfossi), Vida loca e La stanza dei fantasmi. L'album è stato prodotto in gran parte da Don Joe, aiutato da Frankie Gaudesi e DJ Paolino durante il processo di realizzazione del disco. Il titolo è una citazione del film Tokyo Fist di Shin'ya Tsukamoto, confermata dal fatto che la copertina contiene una scena tratta dal film in questione. MI invece indica la sigla di Milano. Tra i vari brani dell'album vi hanno partecipato anche alcuni artisti ospiti: oltre all'ex compagno Dargen D'Amico, autore in Tana 2000, hanno partecipato Lamaislam della Porzione Massiccia Crew, Santi DJ, Totò Mezzolla e Vincenzo da Via Anfossi. L’album è considerato uno dei classici dell'hip hop italiano.

Prod. Roy ayers❤️

TRACKLIST A1 – Roma Amor – 2:37 (1972) A2 – Soundmaker Blues – 4:08 (1980) A3 – Elettrone – 1:31 (1976) A4 – Fruitori – 2:43 (1972) B1 – Lavorazione a mare – 6:17 (1974) previously unreleased B2 – Batticuore – 2:46 (1983) B3 – Danza magica – 2:10 (1975) B4 – Attività – 2:26 (1973) C1 – Sinistro Carillon – 2:46 (1983) C2 – Pianeta spento – 4:12 (1983) previously unreleased C3 – Apocalisse atomica – 1:39 (1976) C4 – Civiltà lontane – 2:34 (1975) D1 – Dolomiti – 4:20 (1975) D2 – Eliogabalus – 2:37 (1972) D3 – Lavoro nero – 2:32 (1975) D4 – Description – 2:04 (1983) previously unreleased Twenty years ago, what is probably still the best collection of music by Piero Umiliani, “Musicaelettronica”, was released on Easy Tempo (in our opinion, the finest Italian soundtrack label ever). The album, curated by Rocco Pandiani, focussed on the astonishing creative mastery with which Umiliani played around in his Sound Work Shop studio, where he had all kinds of analogue machines to experiment with. Not only did albums like “Musicaelettronica” inspire the very existence of Four Flies Records, but our new Umiliani release, L’Uomo Elettronico, follows on precisely from where “Musicaelettronica” left off. While Pandiani’s selection provided an insight into the playful, lighter side of Umiliani’s electronic music, our release explores its introspective, esoteric side. Thanks to unwavering support from the Umiliani family, who keeps granting us access to the Maestro’s archives, we have been able to continue a journey we started three years ago with Studio Umiliani, this time unearthing some stunning electronic, cosmic pieces characterized by atmospheric vibes and carefully arranged sounds and sequences. Once again Umiliani emerges as a tireless, versatile composer whose output went well beyond ‘Mah Nà Mah Nà’, the hugely popular song that made him eternally famous. The idea behind the album is to view Umiliani’s electronic output as the work of a scientist of some sort – a chemist or master craftsman who created magic in his laboratory or workshop. There is a dreamy, ambient quality at work here: the Maestro builds hypnotic, minimalist sonic landscapes through layers of oscillators and sharp synths, including Moog, Arp, and VCS3. This music could fit equally well in a sci-fi documentary, a post-apocalyptic film, a television report on climate change, or a journey through outer space. L’Uomo Elettronico features 3 previously unreleased tracks, as well as rarities and hidden gems, all composed between 1972 and 1983 and remastered from the original analogue tapes.

Repress disponibile dal 20/3

Disponibile in 4/5 gg L'album d'esordio del gruppo romano che fonda il jazz col rap. Le recensioni molto positive da diverse testate giornalistiche del settore e l'ottima risposta da parte dei nostri aficionados, ci trasmettono l'ottimo feedback di un gruppo che è destinato a crescere. Consigliatissimo!