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Group Home - Livin' Proof / Supastar (19-02-2021)
14,99€

Apollo Brown & Che' Noir - As God Intended Vinile BROWN & BONE
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Kanye West / Snoop Dogg Gold Digger – Drop It Like It’s Hot Home Hitters (19-02-2021)
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Condizione disco: Mint
Disco perfetto, in ogni caso non è mai stato suonato.

Condizione cover: Mint
Copertina perfetta, solitamente ancora sigillato.
Formato: 45 // 7" | Genere: Hip Hop USA
Disponibile su ordinazione
Categorie: 45 // 7", Hip Hop USA, Mint, Mint.
Descrizione
Additional Information
Spedizione & Restituzione
Product Description
Additional Information
Peso | 0.50 kg |
---|
Restituzioni e Cambi
Diritto di restituzione entro 48 h dal ricevimento della merce.
Spedizione
Tutte le spedizioni da Mint & Soul Records saranno effettuate da Corriere
- da 0 a 2 kg - 8€
- da 2.1 a 4 kg - 9€
- da 4.1 a 6 kg - 12€
Spedizione gratuita con ordini sopra i 90€!
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31,90€
2Lp gatefold
U.s.a press
TRACKLIST
1. The Sure Shot’ (Intro)
2. Lights Out Feat. M.O.P.
3. Bad Name
4. Hit Man Feat. Q-Tip
5. What’s Real Feat. Group Home & Royce Da 5’9
6. Keith Casim Elam (Interlude)
7. From A Distance Feat. Jeru The Damaja
8. Family and Loyalty Feat. J. Cole
9. Get Together feat. Ne-Yo & Nitty Scott
10. NYGz
11. GS 183rd (Interlude)
12. So Many Rappers
13. Business Or Art Feat. Talib Kweli
14. Bring It Back Here
15. One Of The Best Yet (Big Shug Interlude)
16. Take Flight (Militia Pt. 4) feat. Big Shug & Freddie Foxxx
17. Bless The Mic
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2Lp gatefold
U.s.a press
TRACKLIST
1. The Sure Shot’ (Intro)
2. Lights Out Feat. M.O.P.
3. Bad Name
4. Hit Man Feat. Q-Tip
5. What’s Real Feat. Group Home & Royce Da 5’9
6. Keith Casim Elam (Interlude)
7. From A Distance Feat. Jeru The Damaja
8. Family and Loyalty Feat. J. Cole
9. Get Together feat. Ne-Yo & Nitty Scott
10. NYGz
11. GS 183rd (Interlude)
12. So Many Rappers
13. Business Or Art Feat. Talib Kweli
14. Bring It Back Here
15. One Of The Best Yet (Big Shug Interlude)
16. Take Flight (Militia Pt. 4) feat. Big Shug & Freddie Foxxx
17. Bless The Mic
31,90€
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Death Row Records is proud to present this limited edition picture disc vinyl reissue of the 4X Platinum Doggystyle debut from Snoop Dogg. This precision-crafted 180g picture disc beautifully showcases the iconic cover art from Snoop’s debut masterpiece
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Death Row Records is proud to present this limited edition picture disc vinyl reissue of the 4X Platinum Doggystyle debut from Snoop Dogg. This precision-crafted 180g picture disc beautifully showcases the iconic cover art from Snoop’s debut masterpiece
39,90€
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An air of mystique surrounds the careers of Harlemites Vast Aire and Vordul Mega, collectively known as Cannibal Ox. Fourteen years after earning their status as luminaries of underground hip-hop, Cannibal Ox is set out to release the highly-anticipated sophomore album, Blade of the Ronin. Serving as the follow-up to the duo's acclaimed debut album, Blade of the Ronin is the embodiment of Vast and Vordul's years of creation and properly serves to provide listeners with the grimy yet futuristic soundscape that they've come to expect from Cannibal Ox.
In 2001, Cannibal Ox released its debut album, The Cold Vein, which remains one of the seminal works of the New York hip-hop scene. Regarded as a cult classic amongst hip-hop purists, The Cold Vein has been ranked as #152 on Pitchfork’s “Top 200 Albums of the 2000s” list.
Since the success of The Cold Vein, Cannibal Ox has largely maintained their independent, enigmatic persona, shying away from the glowing heat of the mainstream limelight. Blade of the Ronin solidifies the triumphant return of Cannibal Ox as the kings of underground hip-hop, as Vast and Vordul capture their trademark sound with Bill Cosmiq at the helm for the majority of the album’s production. Together, this trio has created an album that personifies a sense of insightful lyricism and poignant production that has arguably been absent from the scene since The Cold Vein. The album also features tremendous guest appearances from MF Doom, U-God (of Wu-Tang Clan), Elzhi, Artifacts and more, all of whom compliment the vibe of Can Ox. It is now available for the first time ever on vinyl, as a special edition Red 2xlp pressing.
Acquista
An air of mystique surrounds the careers of Harlemites Vast Aire and Vordul Mega, collectively known as Cannibal Ox. Fourteen years after earning their status as luminaries of underground hip-hop, Cannibal Ox is set out to release the highly-anticipated sophomore album, Blade of the Ronin. Serving as the follow-up to the duo's acclaimed debut album, Blade of the Ronin is the embodiment of Vast and Vordul's years of creation and properly serves to provide listeners with the grimy yet futuristic soundscape that they've come to expect from Cannibal Ox.
In 2001, Cannibal Ox released its debut album, The Cold Vein, which remains one of the seminal works of the New York hip-hop scene. Regarded as a cult classic amongst hip-hop purists, The Cold Vein has been ranked as #152 on Pitchfork’s “Top 200 Albums of the 2000s” list.
Since the success of The Cold Vein, Cannibal Ox has largely maintained their independent, enigmatic persona, shying away from the glowing heat of the mainstream limelight. Blade of the Ronin solidifies the triumphant return of Cannibal Ox as the kings of underground hip-hop, as Vast and Vordul capture their trademark sound with Bill Cosmiq at the helm for the majority of the album’s production. Together, this trio has created an album that personifies a sense of insightful lyricism and poignant production that has arguably been absent from the scene since The Cold Vein. The album also features tremendous guest appearances from MF Doom, U-God (of Wu-Tang Clan), Elzhi, Artifacts and more, all of whom compliment the vibe of Can Ox. It is now available for the first time ever on vinyl, as a special edition Red 2xlp pressing.
31,99€
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The Slayers Club” is one of the highlights of R.A. The Rugged Man‘s new album All My Heroes Are Dead. The epic posse cut is an all-out lyrical onslaught, as R.A. joins forces with microphone gods Brand Nubian, Ice-T, M.O.P., Chino XL, Onyx, Vinnie Paz, and Chris Rivers. Now, this historic track is available on a limited-edition sawblade shaped 10″ vinyl single with the instrumental on the B-side. This 10″ features silver colored vinyl with red “blood” splatter, and comes packaged in a plastic sleeve with a 10″ mini-poster insert.
Acquista
Disponibile in 4/5 gg
The Slayers Club” is one of the highlights of R.A. The Rugged Man‘s new album All My Heroes Are Dead. The epic posse cut is an all-out lyrical onslaught, as R.A. joins forces with microphone gods Brand Nubian, Ice-T, M.O.P., Chino XL, Onyx, Vinnie Paz, and Chris Rivers. Now, this historic track is available on a limited-edition sawblade shaped 10″ vinyl single with the instrumental on the B-side. This 10″ features silver colored vinyl with red “blood” splatter, and comes packaged in a plastic sleeve with a 10″ mini-poster insert.
27,00€
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Official Mr Bongo Hip Hop Reissue When the film ‘White Men Can’t Jump’ was released in 1992, an EP of music from the film was dropped almost simultaneously. That EP, cheekily titled ‘White Men Can’t Rap’, featured a couple of exclusive gems, notably Gang Starr’s ‘Now You’re Mine’ and a cut from Main Source called ‘Fakin’ the Funk’. The only single borne of that six-track EP was the Main Source track, released in remixed form on Wild Pitch records the same year. No surprise, it was head and shoulders above the rest. Opening with those unmistakable harmonies from Main Ingredient’s ‘Magic Shoes’, the intro segues into a crisp beat borrowed from Grady Tate’s frequently sampled ‘Be Black Baby’ from 1969. Throw in a sprinkle of Kool & The Gang and you’ve got a track that would fit seamlessly onto Main Source’s masterpiece of an album, ‘Breaking Atoms’. Instead, it’s the group’s last hurrah, the final collaboration between K-Cut, Sir Scratch and Large Professor before the latter departed the trio. It’s fitting that he saves one of his best vocal performances for last, railing at sell-outs with the assistance of his long-term collaborator Neek the Exotic. Never released before on an official 7”, it’s a track that has lost none of its appeal, and the remix is the definitive version of this classic
Acquista
Official Mr Bongo Hip Hop Reissue When the film ‘White Men Can’t Jump’ was released in 1992, an EP of music from the film was dropped almost simultaneously. That EP, cheekily titled ‘White Men Can’t Rap’, featured a couple of exclusive gems, notably Gang Starr’s ‘Now You’re Mine’ and a cut from Main Source called ‘Fakin’ the Funk’. The only single borne of that six-track EP was the Main Source track, released in remixed form on Wild Pitch records the same year. No surprise, it was head and shoulders above the rest. Opening with those unmistakable harmonies from Main Ingredient’s ‘Magic Shoes’, the intro segues into a crisp beat borrowed from Grady Tate’s frequently sampled ‘Be Black Baby’ from 1969. Throw in a sprinkle of Kool & The Gang and you’ve got a track that would fit seamlessly onto Main Source’s masterpiece of an album, ‘Breaking Atoms’. Instead, it’s the group’s last hurrah, the final collaboration between K-Cut, Sir Scratch and Large Professor before the latter departed the trio. It’s fitting that he saves one of his best vocal performances for last, railing at sell-outs with the assistance of his long-term collaborator Neek the Exotic. Never released before on an official 7”, it’s a track that has lost none of its appeal, and the remix is the definitive version of this classic
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A: Made You Look / B: Made You Look (Instrumental without guns)
Nas has had a career of generally consistent excellence, punctuated with a few lulls. He’s an incredibly skilled rapper sometimes accused of having a tin ear when it comes to choosing beats – especially on albums (and the entirety of ‘Illmatic’ aside, obviously).
‘Made You Look’ was a shot in the arm for Nas at a time when he’d shed some of his core, street fanbase. After the unfocussed ‘Nastradamus’ and ‘I Am…’ albums he’d had a return to some kind of form with ‘Stillmatic’, but many felt he came off second best in the ensuing battle with Jay-Z.
This single, a club and street classic almost from the moment it dropped, is exactly what he needed to reconnect with his fans and to show he could still throw down. Lyrically, it’s hardcore bragging 101, delivered with panache and numerous quotables that themselves would go on to be sampled.
Key to it all, however, is that beat. Salaam Remi was no stranger to resurrections, having almost single-handedly turned The Fugees from forgettable also-rans to major-players. The beat here is deceptively simple, one of hundreds of records to chop up Incredible Bongo Band’s ‘Apache’ but doing so in a way that felt instantly fresh. Nearly 20 years later it still has the power to get a stationary crowd moving, an empty dancefloor to fill, a still head to nod.
This original version has never been on 7” before. It’s presented with full artwork
Read More
A: Made You Look / B: Made You Look (Instrumental without guns)
Nas has had a career of generally consistent excellence, punctuated with a few lulls. He’s an incredibly skilled rapper sometimes accused of having a tin ear when it comes to choosing beats – especially on albums (and the entirety of ‘Illmatic’ aside, obviously).
‘Made You Look’ was a shot in the arm for Nas at a time when he’d shed some of his core, street fanbase. After the unfocussed ‘Nastradamus’ and ‘I Am…’ albums he’d had a return to some kind of form with ‘Stillmatic’, but many felt he came off second best in the ensuing battle with Jay-Z.
This single, a club and street classic almost from the moment it dropped, is exactly what he needed to reconnect with his fans and to show he could still throw down. Lyrically, it’s hardcore bragging 101, delivered with panache and numerous quotables that themselves would go on to be sampled.
Key to it all, however, is that beat. Salaam Remi was no stranger to resurrections, having almost single-handedly turned The Fugees from forgettable also-rans to major-players. The beat here is deceptively simple, one of hundreds of records to chop up Incredible Bongo Band’s ‘Apache’ but doing so in a way that felt instantly fresh. Nearly 20 years later it still has the power to get a stationary crowd moving, an empty dancefloor to fill, a still head to nod.
This original version has never been on 7” before. It’s presented with full artwork
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Pete Rock, whose production work helped define the 90s “golden age,” is a rare exception; Rock’s one of the few musicians who made his name in the aggressively unflashy 90s East Coast sound and managed to stay continually relevant without capitulating to changing tastes.
80 Blocks from Tiffany's offered proof that amidst the expeditions rap music’s launching into new sonic territories like EDM, noisy psychedelia, and quasi-industrial music, the classic boom-bap stuff still has a place.
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Pete Rock, whose production work helped define the 90s “golden age,” is a rare exception; Rock’s one of the few musicians who made his name in the aggressively unflashy 90s East Coast sound and managed to stay continually relevant without capitulating to changing tastes.
80 Blocks from Tiffany's offered proof that amidst the expeditions rap music’s launching into new sonic territories like EDM, noisy psychedelia, and quasi-industrial music, the classic boom-bap stuff still has a place.
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23,99€
BLACK VINYL or LIMITED EDITION BLACK AND WHITE SPLATTER available.
A. Beat Bop (Vocal) / B. Beat Bop (Instrumental)
Much about ‘Beat Bop’ is shrouded in mystery. Who really produced it? Why was Jean-Michel Basquiat relegated from rapper on the track to drawing the cover and labels? What are they actually rapping about for most of the ten-minute length?
These questions, however, are all part of the enigma and rich legend surrounding a song that is an undisputed piece of true hip-hop genius. The combination of graffiti artist Rammellzee and rapper K-Rob is a potent one, with each MC adopting a persona - hustler and B-Boy respectively - that they maintain against an unusual swirling backdrop that must be one of the best instrumentals ever committed to wax.
The original Tartown Record pressing was limited to 500 copies, a mere test pressing in the eyes of the assembled artists, with scarcity further driven by Basquiat’s rising rep in the art world. Those few hundred copies – and a subsequent re-release on Profile Records (the same label where K-Rob played out the rest of his brief career) – punched well above their weight in terms of lasting influence.
Consider the early vocal tones of the Beastie Boys (who also sampled the track), or the huge part it played in the sound of Cypress Hill and B-Real. His voice is almost homage to Rammellzee’s on ‘Beat Bop’, while they also lifted the chorus of ‘Shoot ‘Em Up’ and even a sample of ‘Cypress Hill’ from the track too. It’s unsurprising – this is a multi-layered, complex song that reveals a little more of itself each time you play it but remains damn funky.
This reissue boasts the vocal and instrumental versions in full, as well as both the full cover and label artwork from the original Tartown Release.
Read More
BLACK VINYL or LIMITED EDITION BLACK AND WHITE SPLATTER available.
A. Beat Bop (Vocal) / B. Beat Bop (Instrumental)
Much about ‘Beat Bop’ is shrouded in mystery. Who really produced it? Why was Jean-Michel Basquiat relegated from rapper on the track to drawing the cover and labels? What are they actually rapping about for most of the ten-minute length?
These questions, however, are all part of the enigma and rich legend surrounding a song that is an undisputed piece of true hip-hop genius. The combination of graffiti artist Rammellzee and rapper K-Rob is a potent one, with each MC adopting a persona - hustler and B-Boy respectively - that they maintain against an unusual swirling backdrop that must be one of the best instrumentals ever committed to wax.
The original Tartown Record pressing was limited to 500 copies, a mere test pressing in the eyes of the assembled artists, with scarcity further driven by Basquiat’s rising rep in the art world. Those few hundred copies – and a subsequent re-release on Profile Records (the same label where K-Rob played out the rest of his brief career) – punched well above their weight in terms of lasting influence.
Consider the early vocal tones of the Beastie Boys (who also sampled the track), or the huge part it played in the sound of Cypress Hill and B-Real. His voice is almost homage to Rammellzee’s on ‘Beat Bop’, while they also lifted the chorus of ‘Shoot ‘Em Up’ and even a sample of ‘Cypress Hill’ from the track too. It’s unsurprising – this is a multi-layered, complex song that reveals a little more of itself each time you play it but remains damn funky.
This reissue boasts the vocal and instrumental versions in full, as well as both the full cover and label artwork from the original Tartown Release.
23,99€
Read More