Doppio lp con featuring tormento,dj p kut,psyko killa,maury b

Limited edition

Reissue

Classiccccccccc

Limited Edition 250 copie! Tracklist A1 Paolito Featuring – Paolito A2 Jamiro Venz Featuring – Jamiro Venz* A3 Marie & The Sun Featuring – Marie & The Sun A4 Dj Smooth Featuring – Dj Smooth (6) B5 Davide Shorty Featuring – Davide Shorty B6 Godblesscomputers Featuring – Godblesscomputers B7 Tess & Trio Improvviso Featuring – Tess (29), Trio Improvviso

Edizione limitata di 500 copie in doppio vinile Gatefold numerato a mano Di nuovo disponibili dal 8/1/21

TOKYO VIOLENTA (Tokyo Violence) 70es JAPAN Blaxploitation Rare Grooves sel. By 2DAZE

The American Negro is an unapologetic critique, detailing the systemic and malevolent psychology that afflicts people of color. This project dissects the chemistry behind blind racism, using music as the medium to restore dignity and self-worth to my people. It should be evident that any examination of black music is an examination of the relationship between black and white America. This relationship has shaped the cultural evolution of the world and its negative roots run deep into our psyche. Featuring various special guests performing over a deeply soulful, elaborate orchestration, The American Negro reinvents the black native tongue through this album and it’s attendant short film (TAN) and 4-part podcast (invisible Blackness). The American Negro - both as a collective experience and as individual expressions - is insightful, provocative and inspiring and should land at the center of our ongoing reckoning with race, racism and the writing of the next chapter of American history.

Classic!

3Lp Cuba: Music and Revolution: Culture Clash in Havana: Experiments in Latin Music 1975-85 Vol. 1 is a new album compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records) that explores the many new styles that emerged in Cuba in the 1970s as Jazz, Funk, Brazilian Tropicalia and even Disco mixed together with Latin and Salsa on the island as Cuban artists experimented with new musical forms created in the unique socialist state. The music on this album features legendary Cuban groups such as Irakere, Los Van Van and Pablo Milanés as well as a host of lesser known artists such as the radical Grupo De Experimentación, Juan Pablo Torres and Algo Nuevo, Grupo Monumental and Orquesta Ritmo Oriental, groups whose names remain largely unknown outside of Cuba owing to the now 60-year old US trade embargo which remains in place today and which prevents trade with Cuba - and thus most Cuban records were only ever available in Cuba or in ex-Soviet Union states. The music on this album reflects the most cutting-edge of Cuban groups that were recording in Cuba in the 1970s and 1980s - who were all searching for a new Cuban identity and new musical forms that reflected both the Afro-Cuban cultural heritage of a nation that gave birth to Latin music - and its new position as a socialist state. Most of the music featured on this album has never been heard outside of Cuba. Cuba: Music and Revolution is the third book that Gilles Peterson and Stuart Baker have collaborated on together and follows on from their two earlier critically acclaimed books, Freedom, Rhythm and Sound (Revolutionary Jazz Music in the 1960s and 1970s) and Bossa Nova and the Rise of Brazilian Music in the 1960s, both of which also had related album releases on Soul Jazz Records.