Descrizione Prodotto
Jeru The Damaja – The Sun Rises In The East
30,00€
Ristampa 2Lp
Disponibile in 4/5 gg
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Additional Information
Spedizione & Restituzione
Additional Information
| Peso | 0.300 kg |
|---|
Restituzioni e Cambi
Diritto di restituzione entro 48 h dal ricevimento della merce.
Spedizione
Tutte le spedizioni da Mint & Soul Records saranno effettuate da Corriere
- da 0 a 2 kg - 8€
- da 2.1 a 4 kg - 9€
- da 4.1 a 6 kg - 12€
Spedizione gratuita con ordini sopra i 90€!
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Pulp Phixion" is a brand new collaboration project by legendary Brooklyn MC ILL BILL with producer SUNDAY aka Thriller Machine of Italian hardcore hip-hop powerhouse DSA Commando. The two have got together to shape this incredible 4 tracks EP featuring guest appearances by Vinnie Paz, Sick Jacken, D.V. Alias Khryst and the first appearance of Lord Goat formerly known as Goretex. Out July 26th.
Artwork by SCARFUL.
Limited edition of 700 hand-numbered copies
Acquista
Pulp Phixion" is a brand new collaboration project by legendary Brooklyn MC ILL BILL with producer SUNDAY aka Thriller Machine of Italian hardcore hip-hop powerhouse DSA Commando. The two have got together to shape this incredible 4 tracks EP featuring guest appearances by Vinnie Paz, Sick Jacken, D.V. Alias Khryst and the first appearance of Lord Goat formerly known as Goretex. Out July 26th.
Artwork by SCARFUL.
Limited edition of 700 hand-numbered copies
26,00€
Acquista 
27,50€
DESCRIPTION
Knowledge The Pirate is back! Roc Marci’s righthand man has been quietly building another masterpiece and as usual he’s kept his circle small. The album is fully produced by Pirate’s regular collaborator E.L.E.M.N.T. and noted Italian producer Cuns. There is no features on this project because KTP felt the need to keep the spotlight firmly focused on himself this time around.
The new LP is titled Family Jewels and is based on the Black Madonna and Jesus’ bloodline. Of course, the record is still that hardcore Street Hop fans have come to expect from Pirate, but it’s also a little deeper than that. The first leak from the album, “Oni Experience,” finds Knowledge utilizing a conversational flow to drop mad jewels about street life, while the second leak, “Red Beam,” is some genuine weight-moving music.
125 copie vinile nero
Acquista
DESCRIPTION
Knowledge The Pirate is back! Roc Marci’s righthand man has been quietly building another masterpiece and as usual he’s kept his circle small. The album is fully produced by Pirate’s regular collaborator E.L.E.M.N.T. and noted Italian producer Cuns. There is no features on this project because KTP felt the need to keep the spotlight firmly focused on himself this time around.
The new LP is titled Family Jewels and is based on the Black Madonna and Jesus’ bloodline. Of course, the record is still that hardcore Street Hop fans have come to expect from Pirate, but it’s also a little deeper than that. The first leak from the album, “Oni Experience,” finds Knowledge utilizing a conversational flow to drop mad jewels about street life, while the second leak, “Red Beam,” is some genuine weight-moving music.
125 copie vinile nero
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Pete Rock, whose production work helped define the 90s “golden age,” is a rare exception; Rock’s one of the few musicians who made his name in the aggressively unflashy 90s East Coast sound and managed to stay continually relevant without capitulating to changing tastes.
80 Blocks from Tiffany's offered proof that amidst the expeditions rap music’s launching into new sonic territories like EDM, noisy psychedelia, and quasi-industrial music, the classic boom-bap stuff still has a place.
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Pete Rock, whose production work helped define the 90s “golden age,” is a rare exception; Rock’s one of the few musicians who made his name in the aggressively unflashy 90s East Coast sound and managed to stay continually relevant without capitulating to changing tastes.
80 Blocks from Tiffany's offered proof that amidst the expeditions rap music’s launching into new sonic territories like EDM, noisy psychedelia, and quasi-industrial music, the classic boom-bap stuff still has a place.
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dal magazzino 
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A: Made You Look / B: Made You Look (Instrumental without guns)
Nas has had a career of generally consistent excellence, punctuated with a few lulls. He’s an incredibly skilled rapper sometimes accused of having a tin ear when it comes to choosing beats – especially on albums (and the entirety of ‘Illmatic’ aside, obviously).
‘Made You Look’ was a shot in the arm for Nas at a time when he’d shed some of his core, street fanbase. After the unfocussed ‘Nastradamus’ and ‘I Am…’ albums he’d had a return to some kind of form with ‘Stillmatic’, but many felt he came off second best in the ensuing battle with Jay-Z.
This single, a club and street classic almost from the moment it dropped, is exactly what he needed to reconnect with his fans and to show he could still throw down. Lyrically, it’s hardcore bragging 101, delivered with panache and numerous quotables that themselves would go on to be sampled.
Key to it all, however, is that beat. Salaam Remi was no stranger to resurrections, having almost single-handedly turned The Fugees from forgettable also-rans to major-players. The beat here is deceptively simple, one of hundreds of records to chop up Incredible Bongo Band’s ‘Apache’ but doing so in a way that felt instantly fresh. Nearly 20 years later it still has the power to get a stationary crowd moving, an empty dancefloor to fill, a still head to nod.
This original version has never been on 7” before. It’s presented with full artwork
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A: Made You Look / B: Made You Look (Instrumental without guns)
Nas has had a career of generally consistent excellence, punctuated with a few lulls. He’s an incredibly skilled rapper sometimes accused of having a tin ear when it comes to choosing beats – especially on albums (and the entirety of ‘Illmatic’ aside, obviously).
‘Made You Look’ was a shot in the arm for Nas at a time when he’d shed some of his core, street fanbase. After the unfocussed ‘Nastradamus’ and ‘I Am…’ albums he’d had a return to some kind of form with ‘Stillmatic’, but many felt he came off second best in the ensuing battle with Jay-Z.
This single, a club and street classic almost from the moment it dropped, is exactly what he needed to reconnect with his fans and to show he could still throw down. Lyrically, it’s hardcore bragging 101, delivered with panache and numerous quotables that themselves would go on to be sampled.
Key to it all, however, is that beat. Salaam Remi was no stranger to resurrections, having almost single-handedly turned The Fugees from forgettable also-rans to major-players. The beat here is deceptively simple, one of hundreds of records to chop up Incredible Bongo Band’s ‘Apache’ but doing so in a way that felt instantly fresh. Nearly 20 years later it still has the power to get a stationary crowd moving, an empty dancefloor to fill, a still head to nod.
This original version has never been on 7” before. It’s presented with full artwork
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2Lp disponibile dal 6 dicembre!
TRACKLIST
1. The Sure Shot’ (Intro)
2. Lights Out Feat. M.O.P.
3. Bad Name
4. Hit Man Feat. Q-Tip
5. What’s Real Feat. Group Home & Royce Da 5’9
6. Keith Casim Elam (Interlude)
7. From A Distance Feat. Jeru The Damaja
8. Family and Loyalty Feat. J. Cole
9. Get Together feat. Ne-Yo & Nitty Scott
10. NYGz
11. GS 183rd (Interlude)
12. So Many Rappers
13. Business Or Art Feat. Talib Kweli
14. Bring It Back Here
15. One Of The Best Yet (Big Shug Interlude)
16. Take Flight (Militia Pt. 4) feat. Big Shug & Freddie Foxxx
17. Bless The Mic
Acquista
2Lp disponibile dal 6 dicembre!
TRACKLIST
1. The Sure Shot’ (Intro)
2. Lights Out Feat. M.O.P.
3. Bad Name
4. Hit Man Feat. Q-Tip
5. What’s Real Feat. Group Home & Royce Da 5’9
6. Keith Casim Elam (Interlude)
7. From A Distance Feat. Jeru The Damaja
8. Family and Loyalty Feat. J. Cole
9. Get Together feat. Ne-Yo & Nitty Scott
10. NYGz
11. GS 183rd (Interlude)
12. So Many Rappers
13. Business Or Art Feat. Talib Kweli
14. Bring It Back Here
15. One Of The Best Yet (Big Shug Interlude)
16. Take Flight (Militia Pt. 4) feat. Big Shug & Freddie Foxxx
17. Bless The Mic
28,90€
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With Retropolitan, Skyzoo’s most recent collaborative project with Pete Rock, he got to live out a dream, as two generations of legendary native New Yorkers aligned to create an album that was both a love letter and a wakeup call to the city they love.
Now, with The Bluest Note, Skyzoo is checking another box on his bucket list. “Since my debut album, I’ve never released a project that didn’t include a moment of jazz influence; with some sort of live instrumentation, something that connected my lyricism with the truest definition of musical lyricism; jazz” Skyzoo commented. “As much as I’ve incorporated my favorite genre of music with my other favorite genre of music, this is the first time I’ve been able to craft an entire project based on jazz production from top to bottom” Skyzoo quipped. “The Bluest Note is a testament to something I’d been longing to do for as far back as I can remember.”
In 2017, Sky was touring in Italy and while there attended a show from a local nu-jazz
band, Dumbo Station, and was immediately impressed. Shortly thereafter, those seeds blossomed into conversations and in June 2019 Skyzoo was in Rome writing, composing and recording music with the talented musicians.
“Collaborating with Italy’s renowned jazz band Dumbo Station was an absolute honor.
From writing musical arrangements with them and having them bring them to life in the studio in Rome, Italy; it was a perfect union and execution of what I foresaw when I began to sketch out the project. Six songs, as an homage to the classic jazz albums of the genre’s heyday (when LPs were around six tracks total). The Bluest Note is the storytelling and inner-city expressions you’ve come to know and love from me, attached to the jazz orchestration I’m dying to introduce to some and re-introduce to others. Ladies and gentlemen, this is, The Bluest Note...”
Read More
With Retropolitan, Skyzoo’s most recent collaborative project with Pete Rock, he got to live out a dream, as two generations of legendary native New Yorkers aligned to create an album that was both a love letter and a wakeup call to the city they love.
Now, with The Bluest Note, Skyzoo is checking another box on his bucket list. “Since my debut album, I’ve never released a project that didn’t include a moment of jazz influence; with some sort of live instrumentation, something that connected my lyricism with the truest definition of musical lyricism; jazz” Skyzoo commented. “As much as I’ve incorporated my favorite genre of music with my other favorite genre of music, this is the first time I’ve been able to craft an entire project based on jazz production from top to bottom” Skyzoo quipped. “The Bluest Note is a testament to something I’d been longing to do for as far back as I can remember.”
In 2017, Sky was touring in Italy and while there attended a show from a local nu-jazz
band, Dumbo Station, and was immediately impressed. Shortly thereafter, those seeds blossomed into conversations and in June 2019 Skyzoo was in Rome writing, composing and recording music with the talented musicians.
“Collaborating with Italy’s renowned jazz band Dumbo Station was an absolute honor.
From writing musical arrangements with them and having them bring them to life in the studio in Rome, Italy; it was a perfect union and execution of what I foresaw when I began to sketch out the project. Six songs, as an homage to the classic jazz albums of the genre’s heyday (when LPs were around six tracks total). The Bluest Note is the storytelling and inner-city expressions you’ve come to know and love from me, attached to the jazz orchestration I’m dying to introduce to some and re-introduce to others. Ladies and gentlemen, this is, The Bluest Note...”
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