Descrizione Prodotto

Spectac – One Day ( Feat Big Daddy Kane )
3,00€

Above The Law Featuring Frost – City Of Angels
2,00€
Gregory Isaac & Ninjaman – Set Me Free
5,00€

Condizione cover: Very Good Plus
Copertina che si presenta in buone condizioni ma non ottime.
Formato: Singoli // 12" | Genere: Reggae
Solo 1 pezzi disponibili
Categorie: Cover Generica, Reggae, Singoli // 12", Very Good Plus.
Descrizione
Additional Information
Spedizione & Restituzione
Product Description
Additional Information
Peso | 0.150 kg |
---|
Restituzioni e Cambi
Diritto di restituzione entro 48 h dal ricevimento della merce.
Spedizione
Tutte le spedizioni da Mint & Soul Records saranno effettuate da Corriere
- da 0 a 2 kg - 8€
- da 2.1 a 4 kg - 9€
- da 4.1 a 6 kg - 12€
Spedizione gratuita con ordini sopra i 90€!
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Label: Last Gang
Quantity: 900
Release type: RSD Drops 24 Oct
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Event: RSD DROPS 2020 - October 24
Release Date: 10/24/2020
Format: 12" Picture Disc
Label: Last Gang
Quantity: 900
Release type: RSD Drops 24 Oct
The first vinyl release for their massive 2003 single.
SIDE A
1. Needy Girl (Zdar Dub) 2. Needy Girl (Paper Faces Remix) 3. Needy Girl (Album Version)
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Tracklist Hide Credits .
A1 Oye Como Va (Radio Edit)
MC – Ben Jammin*, Mucho Mu*
3:48
A2 Oye Como Va (Freddie Fresh Loco Mix)
Remix – Freddy Fresh
4:13
B1 Oye Como Va (Freddie Fresh Rico Mix)
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B2 Paquito "El Pimp
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Tracklist Hide Credits .
A1 Oye Como Va (Radio Edit)
MC – Ben Jammin*, Mucho Mu*
3:48
A2 Oye Como Va (Freddie Fresh Loco Mix)
Remix – Freddy Fresh
4:13
B1 Oye Como Va (Freddie Fresh Rico Mix)
Remix – Freddy Fresh
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dal magazzino 
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BLACK VINYL or LIMITED EDITION BLACK AND WHITE SPLATTER available.
A. Beat Bop (Vocal) / B. Beat Bop (Instrumental)
Much about ‘Beat Bop’ is shrouded in mystery. Who really produced it? Why was Jean-Michel Basquiat relegated from rapper on the track to drawing the cover and labels? What are they actually rapping about for most of the ten-minute length?
These questions, however, are all part of the enigma and rich legend surrounding a song that is an undisputed piece of true hip-hop genius. The combination of graffiti artist Rammellzee and rapper K-Rob is a potent one, with each MC adopting a persona - hustler and B-Boy respectively - that they maintain against an unusual swirling backdrop that must be one of the best instrumentals ever committed to wax.
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This reissue boasts the vocal and instrumental versions in full, as well as both the full cover and label artwork from the original Tartown Release.
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BLACK VINYL or LIMITED EDITION BLACK AND WHITE SPLATTER available.
A. Beat Bop (Vocal) / B. Beat Bop (Instrumental)
Much about ‘Beat Bop’ is shrouded in mystery. Who really produced it? Why was Jean-Michel Basquiat relegated from rapper on the track to drawing the cover and labels? What are they actually rapping about for most of the ten-minute length?
These questions, however, are all part of the enigma and rich legend surrounding a song that is an undisputed piece of true hip-hop genius. The combination of graffiti artist Rammellzee and rapper K-Rob is a potent one, with each MC adopting a persona - hustler and B-Boy respectively - that they maintain against an unusual swirling backdrop that must be one of the best instrumentals ever committed to wax.
The original Tartown Record pressing was limited to 500 copies, a mere test pressing in the eyes of the assembled artists, with scarcity further driven by Basquiat’s rising rep in the art world. Those few hundred copies – and a subsequent re-release on Profile Records (the same label where K-Rob played out the rest of his brief career) – punched well above their weight in terms of lasting influence.
Consider the early vocal tones of the Beastie Boys (who also sampled the track), or the huge part it played in the sound of Cypress Hill and B-Real. His voice is almost homage to Rammellzee’s on ‘Beat Bop’, while they also lifted the chorus of ‘Shoot ‘Em Up’ and even a sample of ‘Cypress Hill’ from the track too. It’s unsurprising – this is a multi-layered, complex song that reveals a little more of itself each time you play it but remains damn funky.
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Pure Disco and Soulful House pleasure!
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This one is something unique coming straight from the FullTime Production vaults.
Another limited edition gem, pressed on transparent-blue vinyl released next December 13th , 300 copies only!
Orlando Johnson steps up to the plate once again with four of his delighting records revisited and completely remastered.
Pure Disco and Soulful House pleasure!
The 1983 special US remix by the iconic and legendary remixer and producer John "Jellybean" Benitex of "Turn The Music On" was Orlando Johnson's greatest hit and opens Side A together with the UK Remix of "If You Come Back" featuring Tony Adam.
On the flip side scalpel maestro Massimo Berardi delivers a new rendition of "Somebody Save Me" together with his remix when in the Harlem Hustlers duo, of "I Got It", taken from Orlando Johnson's "Funky Time" album of 2011.
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