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Franco Micalizzi - Roma A Mano Armata 7” Limited Edition 100 Copie Nere ( 17-01-2021)
17,00€

The Incredible Jimmy Smith – The Cat
18,00€
FRANCO MICALIZZI – ROMA A MANO ARMATA 7” Limited Edition 100 Copie Rosse ( 17-01-2021)
18,00€

Condizione disco: Mint
Disco perfetto, in ogni caso non è mai stato suonato.

Condizione cover: Mint
Copertina perfetta, solitamente ancora sigillato.
Disponibile
Categorie: 45 // 7", Jazz Funk, Mint, Mint, Soundtracks, stage & screen.
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Spedizione & Restituzione
Additional Information
Peso | 0.60 kg |
---|
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Diritto di restituzione entro 48 h dal ricevimento della merce.
Spedizione
Tutte le spedizioni da Mint & Soul Records saranno effettuate da Corriere
- da 0 a 2 kg - 8€
- da 2.1 a 4 kg - 9€
- da 4.1 a 6 kg - 12€
Spedizione gratuita con ordini sopra i 90€!
Prodotti correlati

26,00€
Limited Edition 300 copie
-100 Nere
-100 Light Blue
-100 Rosse
In ogni copia inclusa una stampa!
Acquista
Limited Edition 300 copie
-100 Nere
-100 Light Blue
-100 Rosse
In ogni copia inclusa una stampa!
26,00€
Acquista 
11,50€
A –Relative Friendly Pressure (Relative Acid Journey)
B –Lego Edit Jungle Fever (Lego Edit Afro Cut)
Acquista
A –Relative Friendly Pressure (Relative Acid Journey)
B –Lego Edit Jungle Fever (Lego Edit Afro Cut)
11,50€
Acquista 
41,00€
Limited edition 2020
Disponibile in 3/4 gg
Bass – Barry Coleman
Congas – Melvin Speller (tracks: A4, B1)
Design [Album Design] – Ron Warwell
Drums – Kevin Atkins (2)
Electric Piano [Fender Rhodes], Keyboards [Arp Odyssey], Piano – Philip Clendeninn*
Engineer [Recording] – Fred Miller
English Horn – Fred Miller (tracks: A3)
Guitar – James Mason (tracks: A1, B1, B3, B4), Ryo Kawasaki (tracks: A2 to B4)
Photography By [Cover Photo] – Rollo Phlecks
Producer – Hank O'Neal, Tarika Blue
Recorded By [Recording Assistant] – Aimee Chiariello, Bruce Gerstein
Soprano Saxophone – Justo Almario (tracks: A1, A4, B3)
Vocals – Dolores Smith (tracks: B2), Irene Datcher (tracks: A1, A2, B1)
Written-By – Philip Clendeninn* (tracks: A2 to A4, B2 to B4)
Acquista
Limited edition 2020
Disponibile in 3/4 gg
Bass – Barry Coleman
Congas – Melvin Speller (tracks: A4, B1)
Design [Album Design] – Ron Warwell
Drums – Kevin Atkins (2)
Electric Piano [Fender Rhodes], Keyboards [Arp Odyssey], Piano – Philip Clendeninn*
Engineer [Recording] – Fred Miller
English Horn – Fred Miller (tracks: A3)
Guitar – James Mason (tracks: A1, B1, B3, B4), Ryo Kawasaki (tracks: A2 to B4)
Photography By [Cover Photo] – Rollo Phlecks
Producer – Hank O'Neal, Tarika Blue
Recorded By [Recording Assistant] – Aimee Chiariello, Bruce Gerstein
Soprano Saxophone – Justo Almario (tracks: A1, A4, B3)
Vocals – Dolores Smith (tracks: B2), Irene Datcher (tracks: A1, A2, B1)
Written-By – Philip Clendeninn* (tracks: A2 to A4, B2 to B4)
41,00€
Acquista Nuovo
Fuori
dal magazzino 
Nuovo
Fuori
dal magazzino
26,00€
It feels odd to call this self-titled release by Soul Supreme his 'debut album;; the Amsterdam-based keyboardist, DJ & producer has been
widely recognized for over six years now. With best known his 45 records reinterpreting music by Grandmaster Flash & The Furious Five and Mos Def (sold out within a matter of days), and more recently his ATCQ 45Check The Rhime b/w Lyrics To Go(an instant success with two represses). But here we are, with his rst of}cial album with his own compositions and productions. Chasing more supreme sounds on this self-released LP.
The album }nds Soul Supreme in a dizzying array of musical twists and turns. From the infectious house vibe on 'Rich in Soul' to broken beats on 'Keep Moving.' And from putting the soul in a synth on 'Mellow Thompson' as if the keys are singing over hip-hop drums, to the G-funk-inspace album closer 'Orbit.' And in good ol' Soul Supreme fashion, two reinterpretations of tracks he loves: French sample classic 'Huit Octobre 1971' by Cortex (sampled by MF DOOM, Madlib, Tyler, the Creator), and an ode to the late last year deceased L.A. jazz-fusion multiinstrumentalist Tony Palkovic ('Born With A Desire').
Let's skip the promotional gibberish of 'Sounds Like…' or 'For Those Who Dig…' This is Soul Supreme's official introduction to Soul Supreme. Hope you're pleased to meet him.״
Read More
It feels odd to call this self-titled release by Soul Supreme his 'debut album;; the Amsterdam-based keyboardist, DJ & producer has been
widely recognized for over six years now. With best known his 45 records reinterpreting music by Grandmaster Flash & The Furious Five and Mos Def (sold out within a matter of days), and more recently his ATCQ 45Check The Rhime b/w Lyrics To Go(an instant success with two represses). But here we are, with his rst of}cial album with his own compositions and productions. Chasing more supreme sounds on this self-released LP.
The album }nds Soul Supreme in a dizzying array of musical twists and turns. From the infectious house vibe on 'Rich in Soul' to broken beats on 'Keep Moving.' And from putting the soul in a synth on 'Mellow Thompson' as if the keys are singing over hip-hop drums, to the G-funk-inspace album closer 'Orbit.' And in good ol' Soul Supreme fashion, two reinterpretations of tracks he loves: French sample classic 'Huit Octobre 1971' by Cortex (sampled by MF DOOM, Madlib, Tyler, the Creator), and an ode to the late last year deceased L.A. jazz-fusion multiinstrumentalist Tony Palkovic ('Born With A Desire').
Let's skip the promotional gibberish of 'Sounds Like…' or 'For Those Who Dig…' This is Soul Supreme's official introduction to Soul Supreme. Hope you're pleased to meet him.״
26,00€
Read More 
16,50€
Donald John Sebesky è nato a Perth Amboy, New Jersey, USA, il 10 dicembre 1937; suo padre lavorava in una fabbrica di cavi d'acciaio, sua madre era una casalinga. Nel 1965 Don Sebesky si unì alla Verve Records quando Creed Taylor era ancora un produttore per l'etichetta. Uno dei suoi arrangiamenti più distintivi e di successo è stato per l'album "Bumpin '" di Wes Montgomery pubblicato lo stesso anno. Nel 1967, quando Taylor lasciò la compagnia per lanciare la sua CTI, Sebesky si unì alla neonata etichetta come arrangiatore dello staff, dando il suo prezioso contributo alla creazione di molti dischi di successo. Durante la fine degli anni '60 / inizio '70, il suo background orchestrale ha contribuito a plasmare i lavori di artisti come Montgomery, George Benson ("Shape of Things To Come", 1968), Paul Desmond ("From the Hot Afternoon", 1969) e Freddie Hubbard (" First Light ", 1971) . Pubblicato originariamente su Verve nel 1968, The Distant Galaxy è un ibrido di soul jazz e musica spaziale, un'influente pietra miliare, campionata a più riprese da gente come Erik B e Rakim, Madlib e Buck 65. Un album magnetico che presenta una miscela di jazz, psych e musica leggera con inserti rigorosamente cosmici tra una traccia e l'altra.
Acquista
Donald John Sebesky è nato a Perth Amboy, New Jersey, USA, il 10 dicembre 1937; suo padre lavorava in una fabbrica di cavi d'acciaio, sua madre era una casalinga. Nel 1965 Don Sebesky si unì alla Verve Records quando Creed Taylor era ancora un produttore per l'etichetta. Uno dei suoi arrangiamenti più distintivi e di successo è stato per l'album "Bumpin '" di Wes Montgomery pubblicato lo stesso anno. Nel 1967, quando Taylor lasciò la compagnia per lanciare la sua CTI, Sebesky si unì alla neonata etichetta come arrangiatore dello staff, dando il suo prezioso contributo alla creazione di molti dischi di successo. Durante la fine degli anni '60 / inizio '70, il suo background orchestrale ha contribuito a plasmare i lavori di artisti come Montgomery, George Benson ("Shape of Things To Come", 1968), Paul Desmond ("From the Hot Afternoon", 1969) e Freddie Hubbard (" First Light ", 1971) . Pubblicato originariamente su Verve nel 1968, The Distant Galaxy è un ibrido di soul jazz e musica spaziale, un'influente pietra miliare, campionata a più riprese da gente come Erik B e Rakim, Madlib e Buck 65. Un album magnetico che presenta una miscela di jazz, psych e musica leggera con inserti rigorosamente cosmici tra una traccia e l'altra.
16,50€
Acquista 
22,00€
To Know Without Knowing’, Mulatu Astatke and Black Jesus Experience’s 2019 album is their second together. A grooving transcontinental gem, recorded in Melbourne, Australia and Addis Ababa, Ethiopia. Filled with the warmth of the mentorship and friendship of their creative partnership
honed over a decade of performing together in Africa, Australia and UK/Europe.
Mulatu Astatke is the Father of Ethio-Jazz and one of Africa's most influential and enduring musical figures. Black Jesus Experience is a community of artists, centred around a twelve piece global-funk-machine born of Australia's vibrant multiculturalism. Mulatu and Black Jesus Experience met in Addis Ababa in 2009, embarking on both a musical relationship and a friendship that has led Mulatu Astake to describe Black Jesus Experience as, "My favourite backing band" and, “...they’re family.”
Mulatu's great contribution to music has been to to combine Jazz and funk grooves with Ethiopia's distinctive pentatonic scales. His musical genius is the sensuality and sophistication with which Mulatu contrasts these minimalist scales with richly chromatic harmony. But Mulatu’s equally great contribution has been to share both his enduringly unique modernity and Ethiopia’s timelessly spiritual music with the world. Black Jesus Experience treasure the special relationship of generosity, mentorship and collaboration they have been privileged to share with this master musician. ‘To Know Without Knowing’ is the product of this gift.
Acquista
To Know Without Knowing’, Mulatu Astatke and Black Jesus Experience’s 2019 album is their second together. A grooving transcontinental gem, recorded in Melbourne, Australia and Addis Ababa, Ethiopia. Filled with the warmth of the mentorship and friendship of their creative partnership
honed over a decade of performing together in Africa, Australia and UK/Europe.
Mulatu Astatke is the Father of Ethio-Jazz and one of Africa's most influential and enduring musical figures. Black Jesus Experience is a community of artists, centred around a twelve piece global-funk-machine born of Australia's vibrant multiculturalism. Mulatu and Black Jesus Experience met in Addis Ababa in 2009, embarking on both a musical relationship and a friendship that has led Mulatu Astake to describe Black Jesus Experience as, "My favourite backing band" and, “...they’re family.”
Mulatu's great contribution to music has been to to combine Jazz and funk grooves with Ethiopia's distinctive pentatonic scales. His musical genius is the sensuality and sophistication with which Mulatu contrasts these minimalist scales with richly chromatic harmony. But Mulatu’s equally great contribution has been to share both his enduringly unique modernity and Ethiopia’s timelessly spiritual music with the world. Black Jesus Experience treasure the special relationship of generosity, mentorship and collaboration they have been privileged to share with this master musician. ‘To Know Without Knowing’ is the product of this gift.
22,00€
Acquista Fuori
dal magazzino 
Fuori
dal magazzino
14,50€
Two classics from the vibes master, Mr. Roy Ayers. “Searching” is an all-time anthem in the soul and rare groove world. Original 7’ for Searching sell for £100+. One sweet love, has never been released as a 7” before. Perfect first time cut!
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Two classics from the vibes master, Mr. Roy Ayers. “Searching” is an all-time anthem in the soul and rare groove world. Original 7’ for Searching sell for £100+. One sweet love, has never been released as a 7” before. Perfect first time cut!
14,50€
Read More 
26,00€
Limited Edition 300 copie
-100 Nere
-100 Light Blue
-100 Rosse
In ogni copia inclusa una stampa!
Acquista
Limited Edition 300 copie
-100 Nere
-100 Light Blue
-100 Rosse
In ogni copia inclusa una stampa!
26,00€
Acquista 
26,00€
Limited Edition 300 copie
-100 Nere
-100 Light Blue
-100 Rosse
In ogni copia inclusa una stampa!
Acquista
Limited Edition 300 copie
-100 Nere
-100 Light Blue
-100 Rosse
In ogni copia inclusa una stampa!
26,00€
Acquista Fuori
dal magazzino 
Fuori
dal magazzino
19,90€
Dynamite cuts is proud to give you a set of three double Pack Roy Ayers releases. All are tape from the Original Masters tapes
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Dynamite cuts is proud to give you a set of three double Pack Roy Ayers releases. All are tape from the Original Masters tapes
19,90€
Read More Fuori
dal magazzino 
Fuori
dal magazzino
23,00€
Tracklist
A1 –Alain Goraguer Le Bracelet
A2 –Jean-Claude Petit Et Son Orchestre Psychedelic Portrait
A3 –George Saxon Going Out Of My Head
A4 –The Bubble Gum Machine I Wonder
A5 –Wet Willie Beggar Song (Skit)
A6 –Patchwork Night Moves
A7 –Francis Coppieters Funky Chimes
A8 –Arawak Accadde A Bali
B1 –Medeski Martin & Wood Night Marchers
B2 –Dorthy Ashby* The Moving Finger
B3 –Sven Libaek Misty Canyon
B4 –Manfred Krug / Günther Fischer-Quintett Wenn Der Urlaub Kommt
B5 –Hardys Jet Band* Selected Sound
B6 –The John Schroeder Orchestra Lovin' You Girl
Read More
Tracklist
A1 –Alain Goraguer Le Bracelet
A2 –Jean-Claude Petit Et Son Orchestre Psychedelic Portrait
A3 –George Saxon Going Out Of My Head
A4 –The Bubble Gum Machine I Wonder
A5 –Wet Willie Beggar Song (Skit)
A6 –Patchwork Night Moves
A7 –Francis Coppieters Funky Chimes
A8 –Arawak Accadde A Bali
B1 –Medeski Martin & Wood Night Marchers
B2 –Dorthy Ashby* The Moving Finger
B3 –Sven Libaek Misty Canyon
B4 –Manfred Krug / Günther Fischer-Quintett Wenn Der Urlaub Kommt
B5 –Hardys Jet Band* Selected Sound
B6 –The John Schroeder Orchestra Lovin' You Girl
23,00€
Read More 
120,00€
BBE Music announces a special 20th Anniversary edition of one of the most important records in the label’s history: J Dilla’s Welcome 2 Detroit, presented in a deluxe 7” vinyl box set boasting instrumentals, two brand new interpretations by Azymuth and Muro, a stash of previously unreleased alternative mixes and studio outtakes pressed over 12 discs, plus a book revealing the album’s hidden story, told by those who were there.
First issued by BBE Music on Monday 26th of February 2001, Welcome 2 Detroit was James Dewitt Yancey aka Jay Dee’s first solo outing and the debut appearance of his new ‘J Dilla’ moniker (bestowed on him by none other than Busta Rhymes). The album also inaugurated the producer-led Beat Generation album series, which would later spawn classic LPs by DJ Jazzy Jeff, Pete Rock, DJ Spinna, Marley Marl and even will.i.am, all of whom had been inspired to reach for new creative heights by hearing Dilla’s magnum opus.
Choosing to showcase his own voice and the voices of local rap-heroes from across the city instead of big stars, Welcome 2 Detroit marked a coming of age for the then 27 year-old producer, who fully embraced the creative-freedom offered by BBE for his first solo project. As Dilla tells it: “Peter (Adarkwah, founder of BBE) let me do whatever I wanted to do. So, I wanted to put people on there who are gonna spit y’know, lyrically and represent Detroit. Because I wouldn’t have been able to pull this album off if it came out under a major. Cos they’re not gonna let you just do a song or you can’t just do an instrumental. You gotta have this feature and you’re Jay Dee, why ain’t you got Erykah Badu? Why ain’t you got so and so on your album? I’d have had to go through all of that, instead of just putting out…y’know, Beej on this joint!”
The album would prove to be the perfect distillation of Dilla’s Detroit. From Kraftwerk- inspired Tech Noir that would make Metroplex proud, through subtle echoes from Africa, live jazz-funk and bossa-nova grooves, to tough Midwest boom-bap, this record somehow showed reverence to the city’s past without ever leaving its present. Grimy street flows that somehow swayed like James Brown. Unquantized marvels, so free and alive in their bounce, that they could seduce the hardest of hard-rocks into the sweetest screwface! Diverse, multifaceted, super collaborative and yet somehow singular, Welcome 2 Detroit was the shy and humble James Yancey revealing his true self in the only way he knew how: through his music.
“The numerous guest appearances from some of the city’s best MCs at the time — Beej, Big Tone, Elzhi, Frank N Dank, Phat Kat — added to the album’s immersive experience, offering listeners a taste of Detroit in a way that only Jay Dee could do.” – Okayplayer
To mark the 20th Anniversary of this momentous record, BBE Music is issuing a specially remastered edition of Welcome 2 Detroit, featuring a stunning new remix of ‘Think Twice’ by Japanese DJ/producer Muro and a stellar cover version of ‘Rico Suave Bossa Nova’ by legendary Brazilian jazz-funk juggernauts Azymuth, plus a stash of newly discovered alternate versions and work-in-progress recordings from the album sessions, lovingly reproduced from priceless cassette tapes recorded by J Dilla himself. An accompanying book by British writer and filmmaker John Vanderpuije offers an oral history of the album’s making, as told by Amp Fiddler, Ma Dukes and all of the album’s key musical contributors. The deluxe 7” vinyl box set and digital album will be released on February 5th 2021 during the annual #DillaMonth celebration, as close to the great man’s birthday as possible, and will be available to pre-order from the BBE website and Bandcamp from November 3rd 2020.
Format: 12x 7″ Vinyl Box Set / Digital
Release Date: February 5th, 2021
Acquista
BBE Music announces a special 20th Anniversary edition of one of the most important records in the label’s history: J Dilla’s Welcome 2 Detroit, presented in a deluxe 7” vinyl box set boasting instrumentals, two brand new interpretations by Azymuth and Muro, a stash of previously unreleased alternative mixes and studio outtakes pressed over 12 discs, plus a book revealing the album’s hidden story, told by those who were there.
First issued by BBE Music on Monday 26th of February 2001, Welcome 2 Detroit was James Dewitt Yancey aka Jay Dee’s first solo outing and the debut appearance of his new ‘J Dilla’ moniker (bestowed on him by none other than Busta Rhymes). The album also inaugurated the producer-led Beat Generation album series, which would later spawn classic LPs by DJ Jazzy Jeff, Pete Rock, DJ Spinna, Marley Marl and even will.i.am, all of whom had been inspired to reach for new creative heights by hearing Dilla’s magnum opus.
Choosing to showcase his own voice and the voices of local rap-heroes from across the city instead of big stars, Welcome 2 Detroit marked a coming of age for the then 27 year-old producer, who fully embraced the creative-freedom offered by BBE for his first solo project. As Dilla tells it: “Peter (Adarkwah, founder of BBE) let me do whatever I wanted to do. So, I wanted to put people on there who are gonna spit y’know, lyrically and represent Detroit. Because I wouldn’t have been able to pull this album off if it came out under a major. Cos they’re not gonna let you just do a song or you can’t just do an instrumental. You gotta have this feature and you’re Jay Dee, why ain’t you got Erykah Badu? Why ain’t you got so and so on your album? I’d have had to go through all of that, instead of just putting out…y’know, Beej on this joint!”
The album would prove to be the perfect distillation of Dilla’s Detroit. From Kraftwerk- inspired Tech Noir that would make Metroplex proud, through subtle echoes from Africa, live jazz-funk and bossa-nova grooves, to tough Midwest boom-bap, this record somehow showed reverence to the city’s past without ever leaving its present. Grimy street flows that somehow swayed like James Brown. Unquantized marvels, so free and alive in their bounce, that they could seduce the hardest of hard-rocks into the sweetest screwface! Diverse, multifaceted, super collaborative and yet somehow singular, Welcome 2 Detroit was the shy and humble James Yancey revealing his true self in the only way he knew how: through his music.
“The numerous guest appearances from some of the city’s best MCs at the time — Beej, Big Tone, Elzhi, Frank N Dank, Phat Kat — added to the album’s immersive experience, offering listeners a taste of Detroit in a way that only Jay Dee could do.” – Okayplayer
To mark the 20th Anniversary of this momentous record, BBE Music is issuing a specially remastered edition of Welcome 2 Detroit, featuring a stunning new remix of ‘Think Twice’ by Japanese DJ/producer Muro and a stellar cover version of ‘Rico Suave Bossa Nova’ by legendary Brazilian jazz-funk juggernauts Azymuth, plus a stash of newly discovered alternate versions and work-in-progress recordings from the album sessions, lovingly reproduced from priceless cassette tapes recorded by J Dilla himself. An accompanying book by British writer and filmmaker John Vanderpuije offers an oral history of the album’s making, as told by Amp Fiddler, Ma Dukes and all of the album’s key musical contributors. The deluxe 7” vinyl box set and digital album will be released on February 5th 2021 during the annual #DillaMonth celebration, as close to the great man’s birthday as possible, and will be available to pre-order from the BBE website and Bandcamp from November 3rd 2020.
Format: 12x 7″ Vinyl Box Set / Digital
Release Date: February 5th, 2021
120,00€
Acquista Fuori
dal magazzino 
Fuori
dal magazzino
33,00€
3Lp
BBE Music announces the first repress of the classic Roy Ayers albums ‘Virgin Ubiquity’ 1 and 2 since 2006, on luxurious 180g vinyl with brand new sleeve notes written by Sean P. The music on 'Virgin Ubiquity' was selected and mixed down from previously unreleased multi-tracks recorded between 1976 & 1981, which Roy had in storage. It's all unmistakably Ayers, but is diverse and fresh enough to be more than a mere adjunct to one of his most productive and popular periods - testament to his and his musicians' creative abilities, as much of most revered Ayers output stems from this time. These discoveries take their place beside some illustrious company in a timeline bookended by 'Everybody Loves The Sunshine' and 'Africa, Center Of The World', several solo and Ubiquity albums, collaborations with Wayne Henderson & Fela Kuti, as well as guesting on LPs by Buster Williams and Herbie Mann. Out of print on vinyl and CD for over a decade now, BBE is delighted to re- present these groundbreaking Roy Ayers titles, neatly coinciding with the 45th anniversary of his classic album ‘Mystic Voyage’ and a UK tour to commemorate it during April 2020
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3Lp
BBE Music announces the first repress of the classic Roy Ayers albums ‘Virgin Ubiquity’ 1 and 2 since 2006, on luxurious 180g vinyl with brand new sleeve notes written by Sean P. The music on 'Virgin Ubiquity' was selected and mixed down from previously unreleased multi-tracks recorded between 1976 & 1981, which Roy had in storage. It's all unmistakably Ayers, but is diverse and fresh enough to be more than a mere adjunct to one of his most productive and popular periods - testament to his and his musicians' creative abilities, as much of most revered Ayers output stems from this time. These discoveries take their place beside some illustrious company in a timeline bookended by 'Everybody Loves The Sunshine' and 'Africa, Center Of The World', several solo and Ubiquity albums, collaborations with Wayne Henderson & Fela Kuti, as well as guesting on LPs by Buster Williams and Herbie Mann. Out of print on vinyl and CD for over a decade now, BBE is delighted to re- present these groundbreaking Roy Ayers titles, neatly coinciding with the 45th anniversary of his classic album ‘Mystic Voyage’ and a UK tour to commemorate it during April 2020
33,00€
Read More