LIMITED EDITION 300 COPIES

Disponibile in6/7gg

Ristampa

Limited to 300 copies.

Disponibile in 5/6 gg

Ristampa killerrr Disponibile dal 30/09/2020

Disponibile entro 13/9

Disponibile entro 15/9

Disponibile entro 15/9

A killer and essential head to head, back to back repress 7" right here. 2 versions of this alltime, evergreen rare groove in one place, fully legit, remastered and repressed just for you. '90% of Me Is You' is widely known and loved, oft sampled and searched for high and low by soul aficionados and music lovers across the globe. Vanessa Kendrick's take is a breathier, sweeter affair. A ridiculously rare 45 to obtain and boasting a $500+ price tag too. Recorded a year before Gwen McCrae's and arguably the original version, hence it's top billing spot on the A-side. Obviously, Gwen McCrae's version is more widely known, and it is astoundingly good. Her sultry and yearning vocals complementing the lush arrangement and tough backbeat drums in a different way. Obviously both versions bring something to the table in their own respective ways, with our 2 fabulous vocalists channelling different feelings and different moods, but they are both simply amazing and worthy of a place in any self-respecting music lovers stash. Flawless. Licensed and reissued with the full involvement of the Henry Stone Music group for 2020. Featuring original classic Galdes label artwork.

Disponibili entro 13/9 Acetate version

Disponibile entro 20/5

Disponibile in 5/7 gg lavorativi

Disponibile entro il 10 novembre Limited edition 150 copie! La copertina si apre e diventa un poster!

Disponibile entro 20/5

Limited Edition, Numbered

Jazz runs deep through the music of A Tribe Called Quest. It's as Q-Tip infamously puts it inExcursions,the opening track of their sophomore album:"Don't you know that things go in cycles? The way that Bobby Brown is just ampin' like Michael."A new 7" release by Amsterdam-based, Jerusalem-born keyboardist, DJ & producer Soul Supreme is in its own way a reflection of that. The record features homages to iconic hip-hop tracks "Check The Rhime" & "Lyrics To Go" from a jazz perspective. "It's kinda ironic: these tracks are interpretations, but almosteverythingis different," says Soul Supreme. "The harmony, the melodies, the instruments that are used for each part, the structure… I want to take the listener on a trip to overlook a track they know, but from a different perspective. I try to go 'in and out' of the ATCQ tracks so the listener never knows what's going to happen next. My overall goal is to give existing music my own twist. I don't want to sound like a rehash of something listeners have heard before." The characteristic guitar line on 'Lyrics To Go' is an example of that: in Soul Supreme's version, the guitar melody is actually a Moog in disguise, emulating guitar bends with his synth by adding lots of distortion. But to Soul Supreme, that's far from science. He doesn't sit down with apad & pento think of ways to switch things up. It happens through improvisation on his Moog Sub37, DSI Ob6, Rhodes MK1, or on his now new Yamaha piano. In that sense, it's A Tribe Called Quest's hip-hop he loves, but a jazz influence that prevails. Obsessively studying the work of pianists such as Herbie Hancock, McCoy Tyner, Bill Evans, Weldon Irvine for over fifteen years now.