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Formato: LP | Genere: Hip Hop USA
Ristampa disponibile in 3gg
Esaurito
Categorie: Hip Hop USA, LP, Sealed, Sealed.
Descrizione
Additional Information
Spedizione & Restituzione
Product Description
Additional Information
Peso | 0.160 kg |
---|
Restituzioni e Cambi
Diritto di restituzione entro 48 h dal ricevimento della merce.
Spedizione
Tutte le spedizioni da Mint & Soul Records saranno effettuate da Corriere
- da 0 a 2 kg - 8€
- da 2.1 a 4 kg - 9€
- da 4.1 a 6 kg - 12€
Spedizione gratuita con ordini sopra i 90€!
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31,90€
2Lp gatefold
U.s.a press
TRACKLIST
1. The Sure Shot’ (Intro)
2. Lights Out Feat. M.O.P.
3. Bad Name
4. Hit Man Feat. Q-Tip
5. What’s Real Feat. Group Home & Royce Da 5’9
6. Keith Casim Elam (Interlude)
7. From A Distance Feat. Jeru The Damaja
8. Family and Loyalty Feat. J. Cole
9. Get Together feat. Ne-Yo & Nitty Scott
10. NYGz
11. GS 183rd (Interlude)
12. So Many Rappers
13. Business Or Art Feat. Talib Kweli
14. Bring It Back Here
15. One Of The Best Yet (Big Shug Interlude)
16. Take Flight (Militia Pt. 4) feat. Big Shug & Freddie Foxxx
17. Bless The Mic
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2Lp gatefold
U.s.a press
TRACKLIST
1. The Sure Shot’ (Intro)
2. Lights Out Feat. M.O.P.
3. Bad Name
4. Hit Man Feat. Q-Tip
5. What’s Real Feat. Group Home & Royce Da 5’9
6. Keith Casim Elam (Interlude)
7. From A Distance Feat. Jeru The Damaja
8. Family and Loyalty Feat. J. Cole
9. Get Together feat. Ne-Yo & Nitty Scott
10. NYGz
11. GS 183rd (Interlude)
12. So Many Rappers
13. Business Or Art Feat. Talib Kweli
14. Bring It Back Here
15. One Of The Best Yet (Big Shug Interlude)
16. Take Flight (Militia Pt. 4) feat. Big Shug & Freddie Foxxx
17. Bless The Mic
31,90€
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27,00€
Disponibile in 4/5 gg
The Slayers Club” is one of the highlights of R.A. The Rugged Man‘s new album All My Heroes Are Dead. The epic posse cut is an all-out lyrical onslaught, as R.A. joins forces with microphone gods Brand Nubian, Ice-T, M.O.P., Chino XL, Onyx, Vinnie Paz, and Chris Rivers. Now, this historic track is available on a limited-edition sawblade shaped 10″ vinyl single with the instrumental on the B-side. This 10″ features silver colored vinyl with red “blood” splatter, and comes packaged in a plastic sleeve with a 10″ mini-poster insert.
Acquista
Disponibile in 4/5 gg
The Slayers Club” is one of the highlights of R.A. The Rugged Man‘s new album All My Heroes Are Dead. The epic posse cut is an all-out lyrical onslaught, as R.A. joins forces with microphone gods Brand Nubian, Ice-T, M.O.P., Chino XL, Onyx, Vinnie Paz, and Chris Rivers. Now, this historic track is available on a limited-edition sawblade shaped 10″ vinyl single with the instrumental on the B-side. This 10″ features silver colored vinyl with red “blood” splatter, and comes packaged in a plastic sleeve with a 10″ mini-poster insert.
27,00€
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Official Mr Bongo Hip Hop Reissue When the film ‘White Men Can’t Jump’ was released in 1992, an EP of music from the film was dropped almost simultaneously. That EP, cheekily titled ‘White Men Can’t Rap’, featured a couple of exclusive gems, notably Gang Starr’s ‘Now You’re Mine’ and a cut from Main Source called ‘Fakin’ the Funk’. The only single borne of that six-track EP was the Main Source track, released in remixed form on Wild Pitch records the same year. No surprise, it was head and shoulders above the rest. Opening with those unmistakable harmonies from Main Ingredient’s ‘Magic Shoes’, the intro segues into a crisp beat borrowed from Grady Tate’s frequently sampled ‘Be Black Baby’ from 1969. Throw in a sprinkle of Kool & The Gang and you’ve got a track that would fit seamlessly onto Main Source’s masterpiece of an album, ‘Breaking Atoms’. Instead, it’s the group’s last hurrah, the final collaboration between K-Cut, Sir Scratch and Large Professor before the latter departed the trio. It’s fitting that he saves one of his best vocal performances for last, railing at sell-outs with the assistance of his long-term collaborator Neek the Exotic. Never released before on an official 7”, it’s a track that has lost none of its appeal, and the remix is the definitive version of this classic
Acquista
Official Mr Bongo Hip Hop Reissue When the film ‘White Men Can’t Jump’ was released in 1992, an EP of music from the film was dropped almost simultaneously. That EP, cheekily titled ‘White Men Can’t Rap’, featured a couple of exclusive gems, notably Gang Starr’s ‘Now You’re Mine’ and a cut from Main Source called ‘Fakin’ the Funk’. The only single borne of that six-track EP was the Main Source track, released in remixed form on Wild Pitch records the same year. No surprise, it was head and shoulders above the rest. Opening with those unmistakable harmonies from Main Ingredient’s ‘Magic Shoes’, the intro segues into a crisp beat borrowed from Grady Tate’s frequently sampled ‘Be Black Baby’ from 1969. Throw in a sprinkle of Kool & The Gang and you’ve got a track that would fit seamlessly onto Main Source’s masterpiece of an album, ‘Breaking Atoms’. Instead, it’s the group’s last hurrah, the final collaboration between K-Cut, Sir Scratch and Large Professor before the latter departed the trio. It’s fitting that he saves one of his best vocal performances for last, railing at sell-outs with the assistance of his long-term collaborator Neek the Exotic. Never released before on an official 7”, it’s a track that has lost none of its appeal, and the remix is the definitive version of this classic
19,99€
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23,99€
BLACK VINYL or LIMITED EDITION BLACK AND WHITE SPLATTER available.
A. Beat Bop (Vocal) / B. Beat Bop (Instrumental)
Much about ‘Beat Bop’ is shrouded in mystery. Who really produced it? Why was Jean-Michel Basquiat relegated from rapper on the track to drawing the cover and labels? What are they actually rapping about for most of the ten-minute length?
These questions, however, are all part of the enigma and rich legend surrounding a song that is an undisputed piece of true hip-hop genius. The combination of graffiti artist Rammellzee and rapper K-Rob is a potent one, with each MC adopting a persona - hustler and B-Boy respectively - that they maintain against an unusual swirling backdrop that must be one of the best instrumentals ever committed to wax.
The original Tartown Record pressing was limited to 500 copies, a mere test pressing in the eyes of the assembled artists, with scarcity further driven by Basquiat’s rising rep in the art world. Those few hundred copies – and a subsequent re-release on Profile Records (the same label where K-Rob played out the rest of his brief career) – punched well above their weight in terms of lasting influence.
Consider the early vocal tones of the Beastie Boys (who also sampled the track), or the huge part it played in the sound of Cypress Hill and B-Real. His voice is almost homage to Rammellzee’s on ‘Beat Bop’, while they also lifted the chorus of ‘Shoot ‘Em Up’ and even a sample of ‘Cypress Hill’ from the track too. It’s unsurprising – this is a multi-layered, complex song that reveals a little more of itself each time you play it but remains damn funky.
This reissue boasts the vocal and instrumental versions in full, as well as both the full cover and label artwork from the original Tartown Release.
Read More
BLACK VINYL or LIMITED EDITION BLACK AND WHITE SPLATTER available.
A. Beat Bop (Vocal) / B. Beat Bop (Instrumental)
Much about ‘Beat Bop’ is shrouded in mystery. Who really produced it? Why was Jean-Michel Basquiat relegated from rapper on the track to drawing the cover and labels? What are they actually rapping about for most of the ten-minute length?
These questions, however, are all part of the enigma and rich legend surrounding a song that is an undisputed piece of true hip-hop genius. The combination of graffiti artist Rammellzee and rapper K-Rob is a potent one, with each MC adopting a persona - hustler and B-Boy respectively - that they maintain against an unusual swirling backdrop that must be one of the best instrumentals ever committed to wax.
The original Tartown Record pressing was limited to 500 copies, a mere test pressing in the eyes of the assembled artists, with scarcity further driven by Basquiat’s rising rep in the art world. Those few hundred copies – and a subsequent re-release on Profile Records (the same label where K-Rob played out the rest of his brief career) – punched well above their weight in terms of lasting influence.
Consider the early vocal tones of the Beastie Boys (who also sampled the track), or the huge part it played in the sound of Cypress Hill and B-Real. His voice is almost homage to Rammellzee’s on ‘Beat Bop’, while they also lifted the chorus of ‘Shoot ‘Em Up’ and even a sample of ‘Cypress Hill’ from the track too. It’s unsurprising – this is a multi-layered, complex song that reveals a little more of itself each time you play it but remains damn funky.
This reissue boasts the vocal and instrumental versions in full, as well as both the full cover and label artwork from the original Tartown Release.
23,99€
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Pete Rock, whose production work helped define the 90s “golden age,” is a rare exception; Rock’s one of the few musicians who made his name in the aggressively unflashy 90s East Coast sound and managed to stay continually relevant without capitulating to changing tastes.
80 Blocks from Tiffany's offered proof that amidst the expeditions rap music’s launching into new sonic territories like EDM, noisy psychedelia, and quasi-industrial music, the classic boom-bap stuff still has a place.
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Pete Rock, whose production work helped define the 90s “golden age,” is a rare exception; Rock’s one of the few musicians who made his name in the aggressively unflashy 90s East Coast sound and managed to stay continually relevant without capitulating to changing tastes.
80 Blocks from Tiffany's offered proof that amidst the expeditions rap music’s launching into new sonic territories like EDM, noisy psychedelia, and quasi-industrial music, the classic boom-bap stuff still has a place.
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Death Row Records is proud to present this limited edition picture disc vinyl reissue of the 4X Platinum Doggystyle debut from Snoop Dogg. This precision-crafted 180g picture disc beautifully showcases the iconic cover art from Snoop’s debut masterpiece
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Death Row Records is proud to present this limited edition picture disc vinyl reissue of the 4X Platinum Doggystyle debut from Snoop Dogg. This precision-crafted 180g picture disc beautifully showcases the iconic cover art from Snoop’s debut masterpiece
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