Reissue in arrivo entro 18/12/20 Classicccccc

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Tracklist 1 The Slaughter (Skit) Producer – Eminem 2 Our House Featuring – Eminem Producer – Alex Da Kid Vocals – Skylar Grey 3 Coffin Co-producer – Eminem Featuring – Busta Rhymes Producer – HIT-BOY 4 Throw That Co-producer – Eminem Featuring – Eminem Producer – T-Minus 5 Hammer Dance Producer – araabMUZIK 6 Get Up Producer – No I.D. 7 My Life Co-producer – Eminem Featuring – Cee-Lo Producer – Raymond Diaz, Streetrunner 8 We Did It (Skit) Producer – Eminem 9 Flip A Bird Co-producer – Eminem Producer – Black Key Beats, Zukhan 10 Throw It Away Featuring – Swizz Beatz Producer – Mr. Porter 11 Rescue Me Featuring – Skylar Grey Producer – Alex Da Kid 12 Frat House Co-producer – Eminem Producer – T-Minus 13 Goodbye Co-producer – Eminem Producer – Boi-1da 14 Park It Sideways Co-producer – Ashanti Floyd, JMIKE Producer – Kane Beatz 15 Die Producer – Mr. Porter 16 Our Way (Outro) Co-producer – Eminem, The Maven Boys Producer – Boi-1da

Versione inglese La nascita dell’hip hop è un racconto affascinante che parte dalla Giamaica e arriva nel Bronx grazie alla figura mitica di DJ Kool Herc (che di questo saggio cura la prefazione). Chi ha visto Hip-Hop Evolution, serie-documentario su Netflix, ha negli occhi quei racconti e immagini incredibili dei primi anni ’70. Jeff Chang, nel suo Can’t Stop Won’t Stop, compie un lavoro differente dalla serie appena citata, preferendo concentrarsi sui contesti sociali e motivazioni che hanno portato l’hip hop ad affermarsi come la più grande controcultura black attraverso le tappe fondamentale del movimento. Fondamentale documentazione

Disponibile in 4/5 gg Feat : k.Lamar,Sza,Future,

Tracklist Hide Credits 1 Intro Featuring – DJ Shocca 2 Nati Storti 3 Inferno 4 Ancora Qui Featuring – Johnny Marsiglia 5 Grattacieli Featuring – Er Costa 6 666 Featuring – Egreen*, Ensi 7 Interlude 8 Via Da Qui 9 Grattacieli Pt. 2 Featuring – Cali (10) 10 Parli Ancora Di Me Featuring – Davide Shorty, Mecna 11 Eredità Featuring – Frank Siciliano 12 Labirinto Featuring – Killacat, Mistaman 13 Scappa Featuring – Kiquè Velasquez 14 Qualcosa Non Va 15 Fuga Dal Paradiso 16 Fa Male

2Lp

2cd

https://youtu.be/AdqJvkNmUd0

Anno 2014

Hindsight captures the magic of what happens when an artist sticks with what they love and shares it with the rest of the world. The 13 tracks epitomize why Breeze has been such an essential voice since he entered the scene. He delivers tack-sharp criticisms of former president Donald Trump (“Devil’s Advocate”) and the music industry (“The Application”), talks his sh*t like only he can do (“Translate It”), and gets deeply personal about friendships (“The Uninvited”) and being a teacher as a person of color (“Taking Notes”). And then there’s a track like “King Oxymoron” that is simply a whirlwind of wordplay. With this record, Breeze is proving to himself that he can confidently, and ably, work on his own, which was a major sea change for someone who for years collaborated closely with others. “I was at times scared to proceed alone, especially considering the greatness of those I had worked with,” he says. “But it worked out. It’s OK to work with others, and it’s damn sure OK to shut the world out and work with and on yourself.”

2Lp limited edition

Disponibile in 4/5 gg L'album d'esordio del gruppo romano che fonda il jazz col rap. Le recensioni molto positive da diverse testate giornalistiche del settore e l'ottima risposta da parte dei nostri aficionados, ci trasmettono l'ottimo feedback di un gruppo che è destinato a crescere. Consigliatissimo!

Ristampa in uscita 11/6/21 Mega rareeeee

TRACKLIST A1 – Roma Amor – 2:37 (1972) A2 – Soundmaker Blues – 4:08 (1980) A3 – Elettrone – 1:31 (1976) A4 – Fruitori – 2:43 (1972) B1 – Lavorazione a mare – 6:17 (1974) previously unreleased B2 – Batticuore – 2:46 (1983) B3 – Danza magica – 2:10 (1975) B4 – Attività – 2:26 (1973) C1 – Sinistro Carillon – 2:46 (1983) C2 – Pianeta spento – 4:12 (1983) previously unreleased C3 – Apocalisse atomica – 1:39 (1976) C4 – Civiltà lontane – 2:34 (1975) D1 – Dolomiti – 4:20 (1975) D2 – Eliogabalus – 2:37 (1972) D3 – Lavoro nero – 2:32 (1975) D4 – Description – 2:04 (1983) previously unreleased Twenty years ago, what is probably still the best collection of music by Piero Umiliani, “Musicaelettronica”, was released on Easy Tempo (in our opinion, the finest Italian soundtrack label ever). The album, curated by Rocco Pandiani, focussed on the astonishing creative mastery with which Umiliani played around in his Sound Work Shop studio, where he had all kinds of analogue machines to experiment with. Not only did albums like “Musicaelettronica” inspire the very existence of Four Flies Records, but our new Umiliani release, L’Uomo Elettronico, follows on precisely from where “Musicaelettronica” left off. While Pandiani’s selection provided an insight into the playful, lighter side of Umiliani’s electronic music, our release explores its introspective, esoteric side. Thanks to unwavering support from the Umiliani family, who keeps granting us access to the Maestro’s archives, we have been able to continue a journey we started three years ago with Studio Umiliani, this time unearthing some stunning electronic, cosmic pieces characterized by atmospheric vibes and carefully arranged sounds and sequences. Once again Umiliani emerges as a tireless, versatile composer whose output went well beyond ‘Mah Nà Mah Nà’, the hugely popular song that made him eternally famous. The idea behind the album is to view Umiliani’s electronic output as the work of a scientist of some sort – a chemist or master craftsman who created magic in his laboratory or workshop. There is a dreamy, ambient quality at work here: the Maestro builds hypnotic, minimalist sonic landscapes through layers of oscillators and sharp synths, including Moog, Arp, and VCS3. This music could fit equally well in a sci-fi documentary, a post-apocalyptic film, a television report on climate change, or a journey through outer space. L’Uomo Elettronico features 3 previously unreleased tracks, as well as rarities and hidden gems, all composed between 1972 and 1983 and remastered from the original analogue tapes.

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