Descrizione Prodotto

H.A.W.K. – Endangered Species
9,90€

Rick Ross – Port Of Miami
4,00€
Bizarre – Hannicap Circus
3,00€

Condizione disco: Near Mint
Disco ascoltato pochissime volte che perciò si presenta quasi perfetto. Non ha segni di usura sulla superficie, quindi la qualità del suono è perfetta e non vi sono rumori di fondo.

Condizione cover: Near Mint
Copertina che non presenta nessun segno di usura e si presenta come nuova.
Formato: CD | Genere: Hip Hop USA
Solo 1 pezzi disponibili
Categorie: CD, Hip Hop USA, Near Mint, Near Mint.
Additional Information
Spedizione & Restituzione
Additional Information
Peso | 0.100 kg |
---|
Restituzioni e Cambi
Diritto di restituzione entro 48 h dal ricevimento della merce.
Spedizione
Tutte le spedizioni da Mint & Soul Records saranno effettuate da Corriere
- da 0 a 2 kg - 8€
- da 2.1 a 4 kg - 9€
- da 4.1 a 6 kg - 12€
Spedizione gratuita con ordini sopra i 90€!
Prodotti correlati
Fuori
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27,50€
Pete Rock, whose production work helped define the 90s “golden age,” is a rare exception; Rock’s one of the few musicians who made his name in the aggressively unflashy 90s East Coast sound and managed to stay continually relevant without capitulating to changing tastes.
80 Blocks from Tiffany's offered proof that amidst the expeditions rap music’s launching into new sonic territories like EDM, noisy psychedelia, and quasi-industrial music, the classic boom-bap stuff still has a place.
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Pete Rock, whose production work helped define the 90s “golden age,” is a rare exception; Rock’s one of the few musicians who made his name in the aggressively unflashy 90s East Coast sound and managed to stay continually relevant without capitulating to changing tastes.
80 Blocks from Tiffany's offered proof that amidst the expeditions rap music’s launching into new sonic territories like EDM, noisy psychedelia, and quasi-industrial music, the classic boom-bap stuff still has a place.
27,50€
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23,99€
BLACK VINYL or LIMITED EDITION BLACK AND WHITE SPLATTER available.
A. Beat Bop (Vocal) / B. Beat Bop (Instrumental)
Much about ‘Beat Bop’ is shrouded in mystery. Who really produced it? Why was Jean-Michel Basquiat relegated from rapper on the track to drawing the cover and labels? What are they actually rapping about for most of the ten-minute length?
These questions, however, are all part of the enigma and rich legend surrounding a song that is an undisputed piece of true hip-hop genius. The combination of graffiti artist Rammellzee and rapper K-Rob is a potent one, with each MC adopting a persona - hustler and B-Boy respectively - that they maintain against an unusual swirling backdrop that must be one of the best instrumentals ever committed to wax.
The original Tartown Record pressing was limited to 500 copies, a mere test pressing in the eyes of the assembled artists, with scarcity further driven by Basquiat’s rising rep in the art world. Those few hundred copies – and a subsequent re-release on Profile Records (the same label where K-Rob played out the rest of his brief career) – punched well above their weight in terms of lasting influence.
Consider the early vocal tones of the Beastie Boys (who also sampled the track), or the huge part it played in the sound of Cypress Hill and B-Real. His voice is almost homage to Rammellzee’s on ‘Beat Bop’, while they also lifted the chorus of ‘Shoot ‘Em Up’ and even a sample of ‘Cypress Hill’ from the track too. It’s unsurprising – this is a multi-layered, complex song that reveals a little more of itself each time you play it but remains damn funky.
This reissue boasts the vocal and instrumental versions in full, as well as both the full cover and label artwork from the original Tartown Release.
Read More
BLACK VINYL or LIMITED EDITION BLACK AND WHITE SPLATTER available.
A. Beat Bop (Vocal) / B. Beat Bop (Instrumental)
Much about ‘Beat Bop’ is shrouded in mystery. Who really produced it? Why was Jean-Michel Basquiat relegated from rapper on the track to drawing the cover and labels? What are they actually rapping about for most of the ten-minute length?
These questions, however, are all part of the enigma and rich legend surrounding a song that is an undisputed piece of true hip-hop genius. The combination of graffiti artist Rammellzee and rapper K-Rob is a potent one, with each MC adopting a persona - hustler and B-Boy respectively - that they maintain against an unusual swirling backdrop that must be one of the best instrumentals ever committed to wax.
The original Tartown Record pressing was limited to 500 copies, a mere test pressing in the eyes of the assembled artists, with scarcity further driven by Basquiat’s rising rep in the art world. Those few hundred copies – and a subsequent re-release on Profile Records (the same label where K-Rob played out the rest of his brief career) – punched well above their weight in terms of lasting influence.
Consider the early vocal tones of the Beastie Boys (who also sampled the track), or the huge part it played in the sound of Cypress Hill and B-Real. His voice is almost homage to Rammellzee’s on ‘Beat Bop’, while they also lifted the chorus of ‘Shoot ‘Em Up’ and even a sample of ‘Cypress Hill’ from the track too. It’s unsurprising – this is a multi-layered, complex song that reveals a little more of itself each time you play it but remains damn funky.
This reissue boasts the vocal and instrumental versions in full, as well as both the full cover and label artwork from the original Tartown Release.
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28,50€
2Lp gatefold
Eu press
TRACKLIST
1. The Sure Shot’ (Intro)
2. Lights Out Feat. M.O.P.
3. Bad Name
4. Hit Man Feat. Q-Tip
5. What’s Real Feat. Group Home & Royce Da 5’9
6. Keith Casim Elam (Interlude)
7. From A Distance Feat. Jeru The Damaja
8. Family and Loyalty Feat. J. Cole
9. Get Together feat. Ne-Yo & Nitty Scott
10. NYGz
11. GS 183rd (Interlude)
12. So Many Rappers
13. Business Or Art Feat. Talib Kweli
14. Bring It Back Here
15. One Of The Best Yet (Big Shug Interlude)
16. Take Flight (Militia Pt. 4) feat. Big Shug & Freddie Foxxx
17. Bless The Mic
Acquista
2Lp gatefold
Eu press
TRACKLIST
1. The Sure Shot’ (Intro)
2. Lights Out Feat. M.O.P.
3. Bad Name
4. Hit Man Feat. Q-Tip
5. What’s Real Feat. Group Home & Royce Da 5’9
6. Keith Casim Elam (Interlude)
7. From A Distance Feat. Jeru The Damaja
8. Family and Loyalty Feat. J. Cole
9. Get Together feat. Ne-Yo & Nitty Scott
10. NYGz
11. GS 183rd (Interlude)
12. So Many Rappers
13. Business Or Art Feat. Talib Kweli
14. Bring It Back Here
15. One Of The Best Yet (Big Shug Interlude)
16. Take Flight (Militia Pt. 4) feat. Big Shug & Freddie Foxxx
17. Bless The Mic
28,50€
Acquista Fuori
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Fuori
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16,50€
A: Made You Look / B: Made You Look (Instrumental without guns)
Nas has had a career of generally consistent excellence, punctuated with a few lulls. He’s an incredibly skilled rapper sometimes accused of having a tin ear when it comes to choosing beats – especially on albums (and the entirety of ‘Illmatic’ aside, obviously).
‘Made You Look’ was a shot in the arm for Nas at a time when he’d shed some of his core, street fanbase. After the unfocussed ‘Nastradamus’ and ‘I Am…’ albums he’d had a return to some kind of form with ‘Stillmatic’, but many felt he came off second best in the ensuing battle with Jay-Z.
This single, a club and street classic almost from the moment it dropped, is exactly what he needed to reconnect with his fans and to show he could still throw down. Lyrically, it’s hardcore bragging 101, delivered with panache and numerous quotables that themselves would go on to be sampled.
Key to it all, however, is that beat. Salaam Remi was no stranger to resurrections, having almost single-handedly turned The Fugees from forgettable also-rans to major-players. The beat here is deceptively simple, one of hundreds of records to chop up Incredible Bongo Band’s ‘Apache’ but doing so in a way that felt instantly fresh. Nearly 20 years later it still has the power to get a stationary crowd moving, an empty dancefloor to fill, a still head to nod.
This original version has never been on 7” before. It’s presented with full artwork
Read More
A: Made You Look / B: Made You Look (Instrumental without guns)
Nas has had a career of generally consistent excellence, punctuated with a few lulls. He’s an incredibly skilled rapper sometimes accused of having a tin ear when it comes to choosing beats – especially on albums (and the entirety of ‘Illmatic’ aside, obviously).
‘Made You Look’ was a shot in the arm for Nas at a time when he’d shed some of his core, street fanbase. After the unfocussed ‘Nastradamus’ and ‘I Am…’ albums he’d had a return to some kind of form with ‘Stillmatic’, but many felt he came off second best in the ensuing battle with Jay-Z.
This single, a club and street classic almost from the moment it dropped, is exactly what he needed to reconnect with his fans and to show he could still throw down. Lyrically, it’s hardcore bragging 101, delivered with panache and numerous quotables that themselves would go on to be sampled.
Key to it all, however, is that beat. Salaam Remi was no stranger to resurrections, having almost single-handedly turned The Fugees from forgettable also-rans to major-players. The beat here is deceptively simple, one of hundreds of records to chop up Incredible Bongo Band’s ‘Apache’ but doing so in a way that felt instantly fresh. Nearly 20 years later it still has the power to get a stationary crowd moving, an empty dancefloor to fill, a still head to nod.
This original version has never been on 7” before. It’s presented with full artwork
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29,90€
15-03-2021
Gil Evans to Miles Davis…. Holger Czukay to the ensemble known as Can….Jean Claude Vannier to Serge Gainsbourg on Histoire de Melody Nelson. That’s the only way to explain the specificity of Four Tet and Madlib’s collaboration, in this special album that showcases a two-decade long friendship that has resulted in an album that follows Madlib’s classics like Quasimoto’s The Unseen, Madvillainy and his Pinata and Bandana albums with Freddie Gibbs. “A few months ago I completed work on an album with my friend Madlib that we’d been making for the last few years. He is always making loads of music in all sorts of styles and I was listening to some of his new beats and studio sessions when I had the idea that it would be great to hear some of these ideas made into a Madlib solo album. Not made into beats for vocalists to use but instead arranged into tracks that could all flow together in an album designed to be listened to start to finish. I put this concept to him when we were hanging out eating some nice food one day and we decided to work on this together with him sending me tracks, loops, ideas and experiments that I would arrange, edit, manipulate and combine. I was sent hundreds of pieces of music over a couple of years stretch and during that time I put together this album with all the parts that fitted with my vision.” - Kieren Hebden AKA Four Tet
Acquista
15-03-2021
Gil Evans to Miles Davis…. Holger Czukay to the ensemble known as Can….Jean Claude Vannier to Serge Gainsbourg on Histoire de Melody Nelson. That’s the only way to explain the specificity of Four Tet and Madlib’s collaboration, in this special album that showcases a two-decade long friendship that has resulted in an album that follows Madlib’s classics like Quasimoto’s The Unseen, Madvillainy and his Pinata and Bandana albums with Freddie Gibbs. “A few months ago I completed work on an album with my friend Madlib that we’d been making for the last few years. He is always making loads of music in all sorts of styles and I was listening to some of his new beats and studio sessions when I had the idea that it would be great to hear some of these ideas made into a Madlib solo album. Not made into beats for vocalists to use but instead arranged into tracks that could all flow together in an album designed to be listened to start to finish. I put this concept to him when we were hanging out eating some nice food one day and we decided to work on this together with him sending me tracks, loops, ideas and experiments that I would arrange, edit, manipulate and combine. I was sent hundreds of pieces of music over a couple of years stretch and during that time I put together this album with all the parts that fitted with my vision.” - Kieren Hebden AKA Four Tet
29,90€
Acquista Fuori
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31,99€
Disponibili poche copie dal 8/3/21
An air of mystique surrounds the careers of Harlemites Vast Aire and Vordul Mega, collectively known as Cannibal Ox. Fourteen years after earning their status as luminaries of underground hip-hop, Cannibal Ox is set out to release the highly-anticipated sophomore album, Blade of the Ronin. Serving as the follow-up to the duo's acclaimed debut album, Blade of the Ronin is the embodiment of Vast and Vordul's years of creation and properly serves to provide listeners with the grimy yet futuristic soundscape that they've come to expect from Cannibal Ox.
In 2001, Cannibal Ox released its debut album, The Cold Vein, which remains one of the seminal works of the New York hip-hop scene. Regarded as a cult classic amongst hip-hop purists, The Cold Vein has been ranked as #152 on Pitchfork’s “Top 200 Albums of the 2000s” list.
Since the success of The Cold Vein, Cannibal Ox has largely maintained their independent, enigmatic persona, shying away from the glowing heat of the mainstream limelight. Blade of the Ronin solidifies the triumphant return of Cannibal Ox as the kings of underground hip-hop, as Vast and Vordul capture their trademark sound with Bill Cosmiq at the helm for the majority of the album’s production. Together, this trio has created an album that personifies a sense of insightful lyricism and poignant production that has arguably been absent from the scene since The Cold Vein. The album also features tremendous guest appearances from MF Doom, U-God (of Wu-Tang Clan), Elzhi, Artifacts and more, all of whom compliment the vibe of Can Ox. It is now available for the first time ever on vinyl, as a special edition Red 2xlp pressing.
Read More
Disponibili poche copie dal 8/3/21
An air of mystique surrounds the careers of Harlemites Vast Aire and Vordul Mega, collectively known as Cannibal Ox. Fourteen years after earning their status as luminaries of underground hip-hop, Cannibal Ox is set out to release the highly-anticipated sophomore album, Blade of the Ronin. Serving as the follow-up to the duo's acclaimed debut album, Blade of the Ronin is the embodiment of Vast and Vordul's years of creation and properly serves to provide listeners with the grimy yet futuristic soundscape that they've come to expect from Cannibal Ox.
In 2001, Cannibal Ox released its debut album, The Cold Vein, which remains one of the seminal works of the New York hip-hop scene. Regarded as a cult classic amongst hip-hop purists, The Cold Vein has been ranked as #152 on Pitchfork’s “Top 200 Albums of the 2000s” list.
Since the success of The Cold Vein, Cannibal Ox has largely maintained their independent, enigmatic persona, shying away from the glowing heat of the mainstream limelight. Blade of the Ronin solidifies the triumphant return of Cannibal Ox as the kings of underground hip-hop, as Vast and Vordul capture their trademark sound with Bill Cosmiq at the helm for the majority of the album’s production. Together, this trio has created an album that personifies a sense of insightful lyricism and poignant production that has arguably been absent from the scene since The Cold Vein. The album also features tremendous guest appearances from MF Doom, U-God (of Wu-Tang Clan), Elzhi, Artifacts and more, all of whom compliment the vibe of Can Ox. It is now available for the first time ever on vinyl, as a special edition Red 2xlp pressing.
31,99€
Read More