Disponibile in 5/7 gg * Juke joint blues, folk, country and stripped down post bop meet on this album for a rendezvous * Made for fans of Max Roach, Duke Ellington, Charles Mingus, Blind Lemon Jefferson, Robert Johnson, Pharoah Sanders, Alice Coltrane * Featuring piano wizard Stanley Cowell * Obscure late 70s acoustic jazz performance * Excellent sound and performance by high class professional musicians * Due to the high demand finally a reprint of the first official rerelease outside Japan * Fully licensed * Remastered audio * LP housed in a superheavy 430g art carton cover * Ultimate collectors item for fans of post bop jazz obscurities This obscure and difficult to find LP is the Heath Brothers' debut album and is considered to be their best. 'Marchin'on' is unquestionably a masterpiece and is a much sought-after album. With its wealth of riffs, it is much appreciated by samplers and has been sampled by various contemporary artists. It was originally released in 1976 on Strata-East, a label at the time co-owned by Stanley Cowell. The album flows fluidly, meticulously in a warm rich blend with the four part 'smilin' Billy suite being a tour de force on its own. All suites have the same anchor in melody but each branches out to its own distinctive song varying from relaxed to light to dramatic and upbeat. The Heath Brothers was formed in 1975 by brothers Jimmy, Percy, Albert Heath and the much celebrated pianist Stanley Cowell in Philadelphia. The band later on continued with the brothers and alternate new members, with at one point the very talented 'Mtume' who is Jimmy Heath's son, joining. SONGS: 1 Warm valley 2 Tafadhali 3 The Watergate blues 4 Maimoun (from Illusion Suite) 5 Smilin‘ Billie Suite

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Produzioni di DJ Shocca, Jack the Smoker. Feat di Lord Madness &AlyBee. Contributo di Ice One . Scratch Dj Taglierino & Dj flow. Lato con strumentali più inserto con illustrazioni a fumetti e CD Omaggio.

Edizione limitata 100 copie! Tracklist 1 Ninja 4 Life Featuring – Remmy, Warez 1:57 2 Prega Featuring – Anima Flacko, Rio Santana 1:42 3 Rap O Trap (Spacco Uguale) Featuring – Slava 1:46 4 Ombre Featuring – Lanz Khan 1:52 5 Cronache Featuring – Tera 2:28 6 Tu Non Stai Con Me Featuring – Sanchee 2:01 7 Milano State Of Mind Featuring – Bizzy Classico, Montenero 1:12 8 Nella Scena Featuring – Sensei 1:36 9 Resta Così Featuring – Nico Kyni 2:29 10 L'Hip Hop E Le Poesie Featuring – FatFatCorFunk 1:32 11 Sinfonia

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IN USCITA DAL 30 APRILE 2021 Mi Fist” è il primo album in studio dei Club Dogo, pubblicato nel 2004 nella sua versione Vibrarecords / Saifam con l'aggiunta di tre remix: le canzoni sono Sangue e filigrana (con Vincenzo da Via Anfossi), Vida loca e La stanza dei fantasmi. L'album è stato prodotto in gran parte da Don Joe, aiutato da Frankie Gaudesi e DJ Paolino durante il processo di realizzazione del disco. Il titolo è una citazione del film Tokyo Fist di Shin'ya Tsukamoto, confermata dal fatto che la copertina contiene una scena tratta dal film in questione. MI invece indica la sigla di Milano. Tra i vari brani dell'album vi hanno partecipato anche alcuni artisti ospiti: oltre all'ex compagno Dargen D'Amico, autore in Tana 2000, hanno partecipato Lamaislam della Porzione Massiccia Crew, Santi DJ, Totò Mezzolla e Vincenzo da Via Anfossi. L’album è considerato uno dei classici dell'hip hop italiano.

Promo copy usa clean version 2 lp

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Disponibile dal 7 maggio 2021

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TRACKLIST A1 – Roma Amor – 2:37 (1972) A2 – Soundmaker Blues – 4:08 (1980) A3 – Elettrone – 1:31 (1976) A4 – Fruitori – 2:43 (1972) B1 – Lavorazione a mare – 6:17 (1974) previously unreleased B2 – Batticuore – 2:46 (1983) B3 – Danza magica – 2:10 (1975) B4 – Attività – 2:26 (1973) C1 – Sinistro Carillon – 2:46 (1983) C2 – Pianeta spento – 4:12 (1983) previously unreleased C3 – Apocalisse atomica – 1:39 (1976) C4 – Civiltà lontane – 2:34 (1975) D1 – Dolomiti – 4:20 (1975) D2 – Eliogabalus – 2:37 (1972) D3 – Lavoro nero – 2:32 (1975) D4 – Description – 2:04 (1983) previously unreleased Twenty years ago, what is probably still the best collection of music by Piero Umiliani, “Musicaelettronica”, was released on Easy Tempo (in our opinion, the finest Italian soundtrack label ever). The album, curated by Rocco Pandiani, focussed on the astonishing creative mastery with which Umiliani played around in his Sound Work Shop studio, where he had all kinds of analogue machines to experiment with. Not only did albums like “Musicaelettronica” inspire the very existence of Four Flies Records, but our new Umiliani release, L’Uomo Elettronico, follows on precisely from where “Musicaelettronica” left off. While Pandiani’s selection provided an insight into the playful, lighter side of Umiliani’s electronic music, our release explores its introspective, esoteric side. Thanks to unwavering support from the Umiliani family, who keeps granting us access to the Maestro’s archives, we have been able to continue a journey we started three years ago with Studio Umiliani, this time unearthing some stunning electronic, cosmic pieces characterized by atmospheric vibes and carefully arranged sounds and sequences. Once again Umiliani emerges as a tireless, versatile composer whose output went well beyond ‘Mah Nà Mah Nà’, the hugely popular song that made him eternally famous. The idea behind the album is to view Umiliani’s electronic output as the work of a scientist of some sort – a chemist or master craftsman who created magic in his laboratory or workshop. There is a dreamy, ambient quality at work here: the Maestro builds hypnotic, minimalist sonic landscapes through layers of oscillators and sharp synths, including Moog, Arp, and VCS3. This music could fit equally well in a sci-fi documentary, a post-apocalyptic film, a television report on climate change, or a journey through outer space. L’Uomo Elettronico features 3 previously unreleased tracks, as well as rarities and hidden gems, all composed between 1972 and 1983 and remastered from the original analogue tapes.

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Vinile disponibile entro 28/12/2020! L artista dice del suo progetto : Questo disco nasce dall’amore incontenibile verso la mia Firenze e vuole essere Il primo di una antologia dedicata agli artisti che l’han resa immortale. Il primo capitolo è un omaggio a Michelangelo, la cui arte ha ancora il potere di rivoluzionare il concetto di percezione.

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Includes Free Digital Download Code. Repress - 180 Gram Heavyweight Black Vinyl. The Instrumentals of Elzhi's Elmatic Album - complete Re-Production with live instruments of the Classic Nas record "Illmatic"! The name Will Sessions was born as a producer alias of trumpeter Sam Beaubien. After sharpening his keyboard skills and learning writing and arrangement from the accomplished David Van De Pitte (who arranged for countless Motown recordings including Marvin Gaye’s album What’s Going On) at Wayne State University, he decided to start a band. With classmates Tim Shellaberger (bass) and Bryan Arnold (drums) along with recruits Ryan Gimpert (guitar) and Eric Kacir (Percussion), the band was complete.T h e y helped to develop a nascent monthly funk music party called Motor City Funk Night, and three years later, the party has grown into one of the sta- ples of the Detroit scene, and Will Sessions were playing in front of crowds of up to 3000 people. The success of the Funk Night parties led to significant studio work with artists like Black Milk, Mayer Hawthorne, and Slum Village, and the hip hop sessions in particular led Beaubien to concoct the idea of Will Sessions recreating his favorite sample-based music in a live setting with the full band. His vision would be realized with three smash concerts in 2009 for Black Milk, Guilty Simpson, and Phat Kat, which left hip hop fans in awe of how the band stayed faithful to the original sampled and programmed beats, while creatively elevating the songs to new heights by recreating them live. It was the particular challenge of duplicating the unique beats of J Dilla that gave Beaubien the confidence to work on the emcee Elzhi’s anticipated project Elmatic. Elmatic had been initially planned and announced in 2008 as a tribute to the historic 1994 album Illmatic by Nas, but it wasn’t until early 2011 that Elzhi and his manager Jae Barber agreed that it would be best to recreate all of the beats from scratch--and there was clearly nobody who could do it better than producer Sam Beaubien and Will Sessions. Since it’s widely considered to be the holy grail of hip hop recordings, the prospect of du- plicating the music from Illmatic was daunting. By using the original sam- ple sources of the album’s tracks as a foundation, producer Beaubien and the band members managed to recreate both the sound and the mood of the classic album with stunning precision on Elmatic, exceeding lofty expectations set by loyal fans and skeptical critics alike. With an ever-increasing body of recorded work, a skyrocketing reputation within their hometown market, and their first tastes of national and international interest, Will Sessions are primed to be among Detroit’s hottest musical exports.

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